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While studies for objective and subjective evaluation of the visual quality of compressed 3D meshes has been discussed in the literature, those studies were covering the evaluation of 3D-meshes either created by 3D artists or generated by a computationally expensive reconstruction process applied on high quality 3D scans. With the advent of RGB-D sensors operating at high frame-rates and the utilization of fast 3D reconstruction algorithms, humans can be captured and reconstructed into a 3D representation in real-time, enabling new (tele-)immersive experiences. The produced 3D mesh content is structurally different in the two cases. The first type of content is nearly perfect and clean while the second type is much more irregular and noisy. Evaluating compression artifacts on this new type of immersive 3D media, constitutes a yet unexplored scientific area. In this paper, we conduct a survey to …