Macroharmonic progressions through the discrete fourier transform: an analysis from Maurice Duruflé’s requiem M Chiu Music Theory Online 27 (3), 2021 | 8 | 2021 |
Form as meter: metric forms through Fourier space MG Chiu Boston University, 2018 | 5 | 2018 |
The Music in the Data: Corpus Analysis, Music Analysis, and Tonal Traditions M Chiu Music Theory Spectrum, i-vii+ 317, 2024 | 1 | 2024 |
Melodic Differences Between Styles: Modeling Music With Step Inertia M Chiu, D Temperley Music & Science 7, 20592043231225731, 2024 | | 2024 |
Investigating Style with Scale Embeddings M Chiu International Conference on Mathematics and Computation in Music, 405-410, 2022 | | 2022 |
Identifying Metric Types with Optimized DFT and Autocorrelation Models M Chiu, J Yust International Conference on Mathematics and Computation in Music, 343-348, 2022 | | 2022 |
Analytical Frameworks for Post (-Millennial) Punk Episode 2: We still [speak/sing/yell] these songs well M Chiu, T Howie SMT-Pod 1, 2022 | | 2022 |
Improving Probabilistic Models of Melody M Chiu University of Rochester, 2022 | | 2022 |
Analytical Frameworks for Post (-Millennial) Punk Episode 1: The “Twinkle” Schema in the Emo Revival T Howie, M Chiu SMT-Pod 1, 2022 | | 2022 |
Chord spacing and quality: Lessons from timbre research N Kahrs, M Chiu Future Directions of Music Cognition, 2021 | | 2021 |
A Companion to Mallet Quartet: Rhythmic Voice Leading Prototypes M Chiu, T Howie Drumming at 50, 2020 | | 2020 |