| Financialized Hollywood A DeWaard Journal of Cinema and Media Studies 59 (4), 54-84, 2020 | 24 | 2020 |
| The cinema of Steven Soderbergh: Indie sex, corporate lies, and digital videotape A DeWaard Columbia University Press, 2013 | 22 | 2013 |
| The global social problem film A DeWaard | 14 | 2007 |
| Independent Canadian music in the streaming age: The sound from above (critical political economy) and below (ethnography of musicians) A DeWaard, B Fauteux, B Selman Popular Music and Society 45 (3), 251-278, 2022 | 9 | 2022 |
| Joints and Jams: Spike Lee as Sellebrity Auteur A deWaard Fight the power!: the Spike Lee reader, 345, 2008 | 8 | 2008 |
| From copyright cartels to commons and care: A public infrastructure model for Canadian music communities B Selman, B Fauteux, A Dewaard Partnership 17 (1), 1-23, 2022 | 5 | 2022 |
| Intertextuality, Broken Mirrors, and The Good German A deWaard The Philosophy of Steven Soderbergh, 2010 | 5 | 2010 |
| Derivative media: The financialization of film, television, and popular music, 2004-2016 AM deWaard University of California, Los Angeles, 2017 | 4 | 2017 |
| The Hood Is Where the Heart Is: Melodrama, Habitus, and the Hood Film A deWaard Habitus of the ’Hood, 2012 | 4 | 2012 |
| The geography of melodrama, the melodrama of geography: The ‘hood film’s spatial pathos A DeWaard Cinephile: The University of British Columbia's Film Journal 4 (1), 58-62, 2008 | 4 | 2008 |
| Wall Street’s Content Wars: Financing Media Consolidation A DeWaard | 3 | 2021 |
| The Cultural Capital Project: Radical monetization of the music industry B Fauteux, I Dahlman, A deWaard IASPM Journal 3 (1), 35-47, 2013 | 3 | 2013 |
| It’s Up To You… No Really, It’s Up to You: Radiohead, Big Music, and the Future of the Record Industry A deWaard The Business of Entertainment: Popular Music, 2008 | 2 | 2008 |
| A user-centric case for rights reversions and other mitigations: The Cultural Capital Project submission to ISED consultation on term extension B Selman, B Fauteux, A deWaard | 1 | 2021 |
| Putting Users and Small-Scale Creators First in Canadian Copyright Law and Beyond: A Brief Submitted To The Standing Committee on Canadian Heritage Remuneration Models for … B Fauteux, B Selman, A deWaard University of Winnipeg Library, 2018 | 1 | 2018 |
| Putting Users and Small-Scale Creators First in Canadian Copyright Law and Beyond: A Brief submitted to INDU Statutory Review of the Copyright Act B Fauteux, B Selman, A deWaard | 1 | 2018 |
| The Lack of Competition in the Music Industries, the Effect on Working Musicians, and the Loss of Canadian Music Heritage B Selman, B Fauteux, A deWaard | | 2023 |
| Steven Soderbergh A DeWaard Oxford University Press, 2015 | | 2015 |
| Mark Gallagher, Another Steven Soderbergh Experience: Authorship and Contemporary Hollywood (Austin: University of Texas Press, 2013, $54.00). Pp. 336. isbn029 274 421 8. A Dewaard Journal of American Studies 48 (4), 1131-1132, 2014 | | 2014 |
| The Geography of Melodrama, The Melodrama of Geography A deWaard | | 2011 |
Brian FauteuxAssociate Professor of Popular Music and Media Studies, University of Alberta在 ualberta.ca 的电子邮件经过验证
