Kinesthetic empathy in creative and cultural practices RW Prior, A Thornton, V Sobchack, R Manzotti | 378 | 2012 |
Kinesthesia, empathy, and related pleasures: An inquiry into audience experiences of watching dance M Reason, D Reynolds Dance research journal 42 (2), 49-75, 2010 | 373 | 2010 |
the Representation of Live Performance M Reason Documentation, Disappearance and the Representation of Live Performance, 231-238, 2006 | 257 | 2006 |
The Young Audience: Exploring and Enhancing Children's Experiences of Theatre. M Reason Trentham Books Ltd, 2010 | 186 | 2010 |
Asking the audience: audience research and the experience of theatre M Reason About performance, 15-34, 2010 | 129 | 2010 |
Archive or memory? The detritus of live performance M Reason New theatre quarterly 19 (1), 82-89, 2003 | 125 | 2003 |
Theatre audiences and perceptions of ‘liveness’ in performance M Reason Participations: Journal of Audience and Reception Studies 1 (2), 2004 | 109 | 2004 |
Approaches to the newspaper archive: content analysis and press coverage of Glasgow’s Year of Culture M Reason, B García Media, Culture & Society 29 (2), 304-331, 2007 | 76 | 2007 |
Participations on Participation. Research the “active” theatre audience M Reason Participations: Journal of Audience and Reception Studies 12 (1), 271-280, 2015 | 71 | 2015 |
Experiencing liveness in contemporary performance M Reason, AM Lindelof Routledge, 2016 | 63 | 2016 |
Spectators’ aesthetic experience of sound and movement in dance performance: A transdisciplinary investigation. M Reason, C Jola, R Kay, D Reynolds, JP Kauppi, MH Grobras, J Tohka, ... Psychology of Aesthetics, Creativity, and the Arts 10 (1), 42, 2016 | 60 | 2016 |
Watching dance, drawing the experience and visual knowledge M Reason Forum for Modern Language Studies 46 (4), 391-414, 2010 | 52 | 2010 |
Young audiences and live theatre, Part 2: Perceptions of liveness in performance M Reason Studies in Theatre and Performance 26 (3), 221-241, 2006 | 51 | 2006 |
Storytelling, story-retelling, storyknowing: towards a participatory practice of storytelling M Reason, C Heinemeyer Research in drama education: the journal of applied theatre and performance …, 2016 | 46 | 2016 |
Young audiences and live theatre, Part 1: Methods, participation and memory in audience research M Reason Studies in Theatre and Performance 26 (2), 129-145, 2006 | 39 | 2006 |
Editors’ introduction: Themed Section on theatre audiences M Reason, K Sedgman Participations 12 (1), 117-122, 2015 | 24 | 2015 |
Writing the embodied experience: Ekphrastic and creative writing as audience research M Reason Critical Stages 7, 2012 | 23 | 2012 |
‘Did You Watch the Man or Did You Watch the Goose?’Children's Responses to Puppets in Live Theatre M Reason New Theatre Quarterly 24 (4), 337-354, 2008 | 23 | 2008 |
Still moving: The revelation or representation of dance in still photography M Reason Dance Research Journal 36 (1), 43-67, 2004 | 23 | 2004 |
Leading or avoiding change: the problem of audience diversification for arts organisations H Glow, A Kershaw, M Reason A Reader on Audience Development and Cultural Policy, 300-318, 2024 | 22 | 2024 |