| Capitalist superheroes: caped crusaders in the neoliberal age D Hassler-Forest John Hunt Publishing, 2012 | 190 | 2012 |
| Science Fiction, Fantasy, and Politics: Transmedia World-building Beyond Capitalism D Hassler-Forest Roman & Littlefield International, 2016 | 165 | 2016 |
| Star Wars and the history of transmedia storytelling SA Guynes, D Hassler-Forest Amsterdam University Press, 2017 | 86 | 2017 |
| The Politics of Adaptation: Media Convergence and Ideology D Hassler-Forest, P Nicklas Springer, 2015 | 53 | 2015 |
| The rise and reason of comics and graphic literature: critical essays on the form J Goggin, D Hassler-Forest McFarland, 2014 | 49 | 2014 |
| Game of Thrones: Quality television and the cultural logic of gentrification D Hassler-Forest TV/Series, 2014 | 47 | 2014 |
| Cowboys and zombies: Destabilizing patriarchal discourse in The Walking Dead D Hassler-Forest Studies in Comics 2 (2), 339-355, 2012 | 32 | 2012 |
| ‘When you get there, you will already be there’ Stranger Things, Twin Peaks and the nostalgia industry D Hassler-Forest Science Fiction Film & Television 13 (2), 175-197, 2020 | 26 | 2020 |
| 'I Have a Bad Feeling About This': A Conversation about Star Wars and the History of Transmedia H Jenkins, D Hassler-Forest, SA Guynes Amsterdam University Press 3, 15-34, 2018 | 23 | 2018 |
| The walking dead: Quality television, transmedia serialization and zombies D Hassler-Forest Serialization in Popular Culture, 91-105, 2014 | 23 | 2014 |
| The year's work at the Zombie Research Center S Watt, D Hassler-Forest, E Bohman, S Shapiro, J Raglin, A Sattar, ... Indiana University Press, 2014 | 17 | 2014 |
| From trauma victim to terrorist: redefining superheroes in Post-9/11 Hollywood DA Hassler-Forest Comics as a Nexus of Cultures: Essays on the Interplay of Media, Disciplines …, 2010 | 17 | 2010 |
| Of Iron Men and Green Monsters: Superheroes and Posthumanism D Hassler-Forest The Palgrave Handbook of Posthumanism in Film and Television, 66-76, 2015 | 14 | 2015 |
| The politics of world building: heteroglossia in Janelle Monáe’s Afrofuturist WondaLand D Hassler-Forest Paradoxa 26, 284-303, 2014 | 14 | 2014 |
| From flying man to falling man: 9/11 discourse in Superman Returns and Batman Begins D Hassler-Forest Jefferson, NCMcFarland, 2011 | 14 | 2011 |
| Skimmers, dippers, and divers: Campfire’s Steve Coulson on transmedia marketing and audience participation D Hassler-Forest Participations 13 (1), 682-692, 2016 | 13 | 2016 |
| Mad Max: between apocalypse and utopia D Hassler-Forest Science Fiction Film & Television 10 (3), 301-306, 2017 | 12 | 2017 |
| Star Trek, global capitalism and immaterial labour D Hassler-Forest Science Fiction Film & Television 9 (3), 371-391, 2016 | 12 | 2016 |
| Game of Thrones: The Politics of World-Building and the Cultural Logic of Gentrification D Hassler-Forest The politics of adaptation: Media convergence and ideology, 187-200, 2015 | 11 | 2015 |
| “Life Isn't Some Cartoon Musical”: Neoliberal Identity Politics in Zootopia and Orange Is the New Black. D Hassler‐Forest Journal of Popular Culture 51 (2), 2018 | 10 | 2018 |
