| The Development of Irish Feminist Performance Art in the 1980s and the early 1990s K Antosik-Parsons The History of Performance Art in Ireland, Edited by Áine Phillips, 175-207, 2015 | 8 | 2015 |
| seven| Campaigning for choice: canvassing as feminist pedagogy in Dublin Bay North N McDonald, K Antosik-Parsons, KE Till, G Kearns, J Callan After repeal: Rethinking abortion politics, 124, 2020 | 7 | 2020 |
| Unplanned pregnancy and abortion care (UnPAC) study C Conlon, K Antosik-Parsons, É Butler HSE, 2022 | 5 | 2022 |
| Seeking online telemedicine abortion outside the jurisdiction from Ireland following implementation of telemedicine provision locally J Greene, É Butler, C Conlon, K Antosik-Parsons, R Gomperts BMJ sexual & reproductive health 48 (4), 259-266, 2022 | 4 | 2022 |
| Touch in Irish performance art: Haptic encounters in Becoming Beloved (1995) and The Touching Contract (2016) K Antosik-Parsons Scene 8 (1-2), 159-174, 2020 | 3 | 2020 |
| A Body Is a Body: The Embodied Politics of Women’s Sexual and Reproductive Rights in Contemporary Irish Art and Culture K Antosik-Parsons Reproductive Justice and Sexual Rights, 33-58, 2019 | 3 | 2019 |
| Suppressed Voices: The Suffering and Silencing of Irish Institutional Abuse Survivors in Áine Phillips’s Redress Performances K Antosik-Parsons Études irlandaises, 137-152, 2014 | 3 | 2014 |
| Leading Change: Reproductive Rights, Empowerment and Feminist Solidarity in the Dublin Bay North Repeal the 8th Campaign K Antosik-Parsons, KE Till, G Kearns, J Callan, N McDonald Feminist Encounters: A Journal of Critical Studies in Culture and Politics 6 (1), 2022 | 2 | 2022 |
| The Visibility of Women’s Ageing and Agency in Suzanne Lacy’s The Crystal Quilt (1987) and Silver Action (2013) K Antosik-Parsons Ageing Women in Literature and Visual Culture: Reflections, Refractions …, 2017 | 2 | 2017 |
| A Review of Dublin Contemporary K Antosik-Parsons Artefact: The Journal of Irish Association of Art Historians 5, 2012 | 2 | 2012 |
| Masculinity in Crisis: The Construction of Irish Masculinities in Willie Doherty’s Non Specific Threat K Antosik-Parsons Irish Masculinities: Critical Reflections on Literature and Culture, 103-118, 2011 | 2 | 2011 |
| Lessons from pivoting to online interviewing: Ethical and technical considerations for qualitative researchers following the COVID-19 pandemic C Conlon, K Antosik-Parsons, S Flynn, L Caffrey, J Byrne, S Whiting Available at SSRN 4345037, 2023 | 1 | 2023 |
| Women’s Troubles: Abject Femininity in Willie Doherty’s Same Difference and Closure K Antosik-Parsons Études irlandaises, 89-102, 2020 | 1 | 2020 |
| Split Asunder: Obstetric Violence and Pain in Máiréad Delaney’s At What Point It Breaks (2017) K Antosik-Parsons The Polish Journal of Aesthetics 51 (4/2018), 2019 | 1 | 2019 |
| " Caoineadh na mairbh": Vocalising Memory and Otherness in the Early Performances of Alanna O'Kelly K Antosik-Parsons Nordic Irish Studies, 205-221, 2014 | 1 | 2014 |
| Remembering and Forgetting: Memory and Gender in Contemporary Irish Time-based Art KC Antosik-Parsons University College Dublin, 2012 | 1 | 2012 |
| Bodily Remembrances: The Performance of Memory in Recent Works by Amanda Coogan K Antosik Parsons Artefact: The Journal of the Irish Association of Art Historians, 6-20, 2009 | 1* | 2009 |
| Experiences of the Irish model of community medical abortion: adherence to self-managed, people-centred abortion care C Conlon, K Antosik-Parsons, É Butler Irish Political Studies, 1-23, 2024 | | 2024 |
| Say Nope to the Pope: performance and resistance in the creative interventions during the 2018 papal visit to Ireland K Antosik-Parsons Irish Studies Review 32 (2), 262-281, 2024 | | 2024 |
| New-materialist bricolage: presenting an ontological position for qualitative internet-based research S Flynn, L Caffrey, K Antosik-Parsons, S Whiting, J Byrne, C Conlon International Journal of Social Research Methodology, 1-14, 2024 | | 2024 |
Catherine ConlonAssociate Professor Social Policy, Trinity College Dublin在 tcd.ie 的电子邮件经过验证
