| The Disguised Ruler in Shakespeare and His Contemporaries KA Quarmby Ashgate Publishing, Ltd., 2012 | 69* | 2012 |
| OP PC or PAR RIP? KA Quarmby Shakespeare Bulletin 36 (4), 567-598, 2018 | 7 | 2018 |
| ‘Bardwashing’Shakespeare: Food Justice, Enclosure, and the Poaching Poet KA Quarmby Journal of Social Justice 5, 1-21, 2015 | 5 | 2015 |
| Behind the Scenes: Penn & Teller, Taymor and the Tempest Divide Shakespeare's Globe, London KA Quarmby Shakespeare Bulletin 29 (3), 383-397, 2011 | 5 | 2011 |
| Narrative of negativity: Whig historiography and the spectre of King James in Measure for Measure KA Quarmby Shakespeare Survey 64, 300-316, 2011 | 4 | 2011 |
| Enactment and Exegesis: Recontextualizing Wilson’s The Three Ladies of London through Performance as Research KA Quarmby Performance as Research in Early Modern English Studies: “The Three Ladies …, 2015 | 3 | 2015 |
| ‘All great Neptune’s ocean’: iShakespeare and Play in a Transatlantic Context ST Cavanagh, KA Quarmby Shakespeare and the Digital World: Redefining Scholarship and Practice, 87-99, 2014 | 3 | 2014 |
| Sexing up Goneril: Feminism and Fetishization in Contemporary King Lear Performance KA Quarmby Women Making Shakespeare: Text, Reception, Performance, 323-33, 2013 | 3 | 2013 |
| “The World Together Joins”: Electronic Shakespearean Collaborations ST Cavanagh, KA Quarmby The Shakespearean International Yearbook, 117-132, 2017 | 2 | 2017 |
| Lady Macbeth, First Ladies and the Arab Spring: The Performance of Power on the Twenty-First Century Stage KA Quarmby Macbeth: The State of Play, ed. A Thompson, 107-133, 2014 | 2 | 2014 |
| “What’s mine is yours, and what is yours is mine": Measure for Measure, Vakhtangov Theatre, Moscow KA Quarmby Shakespeare Beyond English: A Global Experiment, ed. S Bennett and C Carson …, 2013 | 2 | 2013 |
| “As the cony that you see”: Rosalind's risqué rabbits in As You Like It KA Quarmby Shakespeare 6 (2), 153-164, 2010 | 2 | 2010 |
| A Twenty-fifth Anniversary Study of Rehearsal and Performance Practice in the 1980 Royal Court Hamlet and the Old Vic Macbeth: An Actor's View KA Quarmby Shakespeare 1 (1-2), 174-187, 2005 | 2 | 2005 |
| PPE for Shakespearians: Pandemic, Performance and Education KA Quarmby Shakespeare Survey 74, 81-97, 2021 | 1* | 2021 |
| ‘Shakespeare in prison’: A South African social justice alternative KA QUARMBY The Arden Research Handbook of Shakespeare and Social Justice, 190-206, 2020 | 1 | 2020 |
| One-Click Russian Populism in Putinesque The Knight of the Burning Pestle KA Quarmby Scene: Reviews of Early Modern Drama 3 (1), 2019 | 1 | 2019 |
| Shamanistic Shakespeare: Korea’s Colonization of Hamlet KA Quarmby Local and Global Myths in Shakespearean Performance, ed. Aneta Mancewicz and …, 2018 | 1 | 2018 |
| The Wrathful Dragon versus the Foolish, Fond Old Man: Duality of Performance and Post-Feminist Affect in the 2013 Oregon Shakespeare Festival's King Lear GE Minton, KA Quarmby Cahiers Élisabéthains 86 (1), 63-73, 2014 | 1 | 2014 |
| Book review: Shakespeare on European Festival Stages by Nicoleta Cinpoeş, Florence March and Paul Prescott (eds) KA Quarmby Cahiers Élisabéthains 110 (1), 155-158, 2023 | | 2023 |
| Editorial: Little Did We Know! KA Quarmby Scene: Reviews of Early Modern Drama 3 (1), 1-7, 2022 | | 2022 |
