| Revolutionary Cycles in Chinese Cinema, 1951–1979 Z Wang Palgrave MacMillan, 2014 | 66 | 2014 |
| Cultural “Authenticity” as a Conflict-Ridden Hypotext: Mulan (1998), Mulan Joins the Army (1939), and a Millennium-Long Intertextual Metamorphosis Z Wang Arts 9 (3), 78, 2020 | 18 | 2020 |
| From Mulan (1998) to Mulan (2020): Disney Conventions, Cross-Cultural Feminist Intervention, and a Compromised Progress Z Wang Arts 11 (1), 5, 2021 | 15 | 2021 |
| Maoist laughter P Zhu, Z Wang, J McGrath Hong Kong University Press, 2019 | 7 | 2019 |
| From The Life of Wu Xun to the Career of Song Jingshi: Adapting Private Studio Filmmaking Legacy for a Nationalized Cinema, 1951–1957 Z Wang Revolutionary Cycles in Chinese Cinema, 1951–1979, 25-43, 1951 | 4 | 1951 |
| Between the World Ship and the Spaceship: Planetarianism, Hollywood, Nationalism, and the Iceberg-Shaped Story of The Wandering Earth (2019) Z Wang PRISM: Theory and Modern Chinese Literature 18 (1), 210-234, 2021 | 3 | 2021 |
| From The Life of Wu Xun to the career of Song Jingshi — Crisis and adaptation of private studio film-making legacy: 1951–1956 Z Wang Journal of Chinese Cinemas 5 (1), 13-29, 2011 | 3 | 2011 |
| Transforming the Liminal Hero: Border-Crossing Interconnections in The Taking of Tiger Mountain and Its Textual Pedigree Z Wang Chinese Literature Today 7 (1), 118-128, 2018 | 2 | 2018 |
| 《 三里湾》: 多元冲突中的电影改编 王卓异 文艺研究, 86-97, 2013 | 1 | 2013 |
| 从敖德萨阶梯到世贸中心——《 战舰波将金》 对 “真实” 的激情与我们对 9· 11 的激情 王卓异 北京电影学院学报, 1-7, 2003 | 1 | 2003 |
| 以電影為素材進行跨校跨文化交際 [Exploring cultural perspectives of mortality in class] 以 “生死觀” 的文化差異為例 [A cross‑institutional collaboration to teach cross-cultural … TG Huang, LY Liu, Y Chen, Z Wang Chinese as a Second Language (漢語教學研究—美國中文教師學會學報) 57 (2), 91-118, 2022 | | 2022 |
| 《无依之地》： 若隐若现的美国现实 王卓异 凤凰周刊 2021 (758), 98-101, 2021 | | 2021 |
| 美国大选的底线、坑洞与暗流 王卓异 凤凰周刊 2021 (748), 96-99, 2021 | | 2021 |
| “青春期”中的中国女性脱口秀 王卓异 凤凰周刊 2020 (741), 100-101, 2020 | | 2020 |
| 迪士尼“读不懂”中国文化?: 真人版电影《花木兰》的“魔改”争议 王卓异 凤凰周刊 2020 (738), 100-103, 2020 | | 2020 |
| 《绿皮书》的黑与白 王卓异 凤凰周刊 2019 (686), 98-101, 2019 | | 2019 |
| The Spectral Space beyond Borders in Recent Chinese Films Z Wang Chinese Literature Today 7 (1), 106-106, 2018 | | 2018 |
| From Revolutionary Romanticism to Petty Bourgeois Fanaticism: The Great Leap Forward and Filmmakers’ Stylistic Return to the Past, 1958–1960 Z Wang Revolutionary Cycles in Chinese Cinema, 1951–1979, 93-123, 2014 | | 2014 |
| Introduction: Understanding Revolutionary Culture and Cinema Z Wang Revolutionary Cycles in Chinese Cinema, 1951–1979, 1-23, 2014 | | 2014 |
| Conclusion: From the Ebb of the Revolution to the End of Revolutionary Cinema, 1967–1979 Z Wang, Z Wang Revolutionary Cycles in Chinese Cinema, 1951–1979, 171-182, 2014 | | 2014 |
