| " Red Man's Burden": The Politics of Inclusion in Museum Settings NM Mithlo American Indian Quarterly 28 (3/4), 743-763, 2004 | 106 | 2004 |
| “A Real Feminine Journey” Locating Indigenous Feminisms in the Arts NM Mithlo Meridians 9 (2), 1-30, 2009 | 48 | 2009 |
| " Our Indian Princess": Subverting the Stereotype NM Mithlo School for Advanced Research Press, 2009 | 48 | 2009 |
| No word for art in our language? Old questions, new paradigms NM Mithlo Wicazo Sa Review 27 (1), 111-126, 2012 | 45 | 2012 |
| “We Have All Been Colonized” 1: Subordination and Resistance on a Global Arts Stage NM Mithlo Visual Anthropology 17 (3-4), 229-245, 2004 | 33 | 2004 |
| Blood memory and the arts: Indigenous genealogies and imagined truths N Mithlo American Indian Culture and Research Journal 35 (4), 2011 | 25 | 2011 |
| Perspective-taking increases emotionality and empathy but does not reduce harmful biases against American Indians: Converging evidence from the museum and lab A Sherman, L Cupo, NM Mithlo PloS one 15 (2), e0228784, 2020 | 23 | 2020 |
| Creativity is our tradition: Three decades of contemporary Indian art at The Institute of American Indian Arts RW Hill Institute of American Indian Arts, 1992 | 21 | 1992 |
| Knowing Native Arts NM Mithlo University of Nebraska Press, 2020 | 16 | 2020 |
| For a Love of His People: The Photography of Horace Poolaw;[in Conjunction with the Exhibition For a Love of His People: The Photography of Horace Poolaw, Opening at the … NM Mithlo Yale University Press, 2014 | 14 | 2014 |
| Manifestations: new native art criticism NM Mithlo Museum of Contemporary Native Arts, 2011 | 14 | 2011 |
| History is Dangerous NM Mithlo Museum Anthropology 19 (2), 50-57, 1995 | 13 | 1995 |
| REAPPROPRIATING REDSKINS: PELLEROSSASOGNA (RED SKIN DREAM): SHELLEY NIRO AT THE 50TH LA BIENNALE DI VENEZIA NM Mithlo Visual Anthropology Review 20 (2), 22-35, 2004 | 11 | 2004 |
| ‘Give, give, giving:’cultural translations NM Mithlo Vision, Space, Desire: Global Perspectives and Cultural Hybridity, 85-97, 2006 | 7 | 2006 |
| Staging the Indian: The Politics of Representation NM Mithlo American Anthropologist 105 (1), 156-161, 2003 | 6 | 2003 |
| Native American art in a global context: Politicization as a form of aesthetic response NM Mithlo Exploring World Art. Eric Venbrux, Pamela Sheffield Rosi and Robert L …, 2006 | 5 | 2006 |
| Lost O’Keeffes/Modern Primitives: The Culture of Native American Art NM Mithlo Reservation X: The Power of Place in Aboriginal Contemporary Art. Ed. Gerald …, 1998 | 5 | 1998 |
| Perspective‐Taking Can Lead to Increased Bias: A Call for ‘Less Certain’Positions in American Indian Contexts N Marie Mithlo, A Sherman Curator: The Museum Journal 63 (3), 353-369, 2020 | 4 | 2020 |
| Our Journey to the New York Feminist Art Institute N Azara, D Bjork Entering the Picture, 213-226, 2012 | 3* | 2012 |
| Guest Editor's Introduction: Curatorial Practice and Native North American Art NM Mithlo Wicazo Sa Review 27 (1), 5-12, 2012 | 3 | 2012 |
