| Communities of sense: Rethinking aesthetics and politics B Hinderliter, V Maimon, J Mansoor, S McCormick Duke University Press, 2020 | 145 | 2020 |
| Questionnaire on" The Contemporary" H Foster, J Bryan-Wilson, G Kester, J Elkins, M Kwon, J Shannon, ... October 130, 3-124, 2009 | 133 | 2009 |
| The Third Citizen: On Models of Criticality in Contemporary Artistic Practices V Maimon October 129, 85-112, 2009 | 38 | 2009 |
| Activestills: photography as protest in Palestine/Israel V Maimon, S Grinbaum (No Title), 2016 | 23 | 2016 |
| Singular images, failed copies: William Henry Fox Talbot and the early photograph V Maimon U of Minnesota Press, 2015 | 21 | 2015 |
| Michael Fried's Modernist Theory of Photography V Maimon History of Photography 34 (4), 387-395, 2010 | 16 | 2010 |
| Displaced ‘Origins’: William Henry Fox Talbot's The Pencil of Nature V Maimon History of Photography 32 (4), 314-325, 2008 | 14 | 2008 |
| Beyond Representation: Abbas Kiarostami's and Pedro Costa's Minor Cinema V Maimon Third Text 26 (3), 331-344, 2012 | 13 | 2012 |
| On the Singularity of Early Photography: William Henry Fox Talbot’s Botanical Images V Maimon Art History 34 (5), 958-977, 2011 | 9 | 2011 |
| Towards a New Image of Politics: Chris Marker's Staring Back V Maimon Oxford Art Journal 33 (1), 81-101, 2010 | 9 | 2010 |
| Precarious Marks: Thomas Ruff's jpegs V Maimon Oxford Art Journal 37 (2), 173-192, 2014 | 5 | 2014 |
| Speaking to strangers: Sharon Hayes and the publics of politics V Maimon TDR/The Drama Review 59 (3), 29-48, 2015 | 3 | 2015 |
| Archive Fever: Uses of the Document in Contemporary Art V Maimon CAA Reviews 4 (21), 2008, 2008 | 3 | 2008 |
| Contemporary art, photography, and the politics of citizenship V Maimon Routledge, 2020 | 2 | 2020 |
| Ideal Homes, Real Subjects: On Efrat Shvily’s Photographs V Maimon Efrat Shvily. Point/Counterpoint: Works, 1992-2012, 1992 | 2 | 1992 |
| Surviving images and images of survival: On Activestills’ photographs of protest’ V Maimon Activestills: Photography as Protest in Palestine/Israel, London: Pluto Press, 2017 | 1 | 2017 |
| Talbot and Herschel: Photography as a Site of Knowledge in Early Nineteenth-century England V Maimon ProQuest, 2006 | 1 | 2006 |
| A disturbing intimacy: Robert Smithson and the end of ecology V Maimon cultural geographies, 14744740241247840, 2024 | | 2024 |
| An Exhibition for the Twenty-First Century: The (Anti-) Curatorial Model of Documenta Fifteen V Maimon, S Setter Journal of Curatorial Studies 13 (1), 28-50, 2024 | | 2024 |
| Communication as mental touch: Jack Burnham and the end of art V Maimon Res: Anthropology and Aesthetics 79 (1), 255-269, 2023 | | 2023 |
