| Sweet anticipation: Music and the psychology of expectation D Huron MIT press, 2008 | 4065 | 2008 |
| Is music an evolutionary adaptation? D Huron Annals of the New York Academy of sciences 930 (1), 43-61, 2001 | 858 | 2001 |
| The psychological functions of music listening T Schäfer, P Sedlmeier, C Städtler, D Huron Frontiers in psychology 4, 511, 2013 | 763 | 2013 |
| Tone and voice: A derivation of the rules of voice-leading from perceptual principles D Huron Music Perception 19 (1), 1-64, 2001 | 494 | 2001 |
| Why is sad music pleasurable? A possible role for prolactin D Huron Musicae Scientiae 15 (2), 146-158, 2011 | 313 | 2011 |
| Music in advertising: An analytic paradigm D Huron The musical quarterly 73 (4), 557-574, 1989 | 273 | 1989 |
| The melodic arch in Western folksongs D Huron Computing in Musicology 10, 3-23, 1996 | 233 | 1996 |
| Musical expectancy and thrills. D Huron, EH Margulis Oxford University Press, 2010 | 214 | 2010 |
| Music information processing using the Humdrum toolkit: Concepts, examples, and lessons D Huron Computer Music Journal 26 (2), 11-26, 2002 | 203 | 2002 |
| Voice denumerability in polyphonic music of homogeneous timbres D Huron Music Perception 6 (4), 361-382, 1989 | 178 | 1989 |
| An improved model of tonality perception incorporating pitch salience and echoic memory. D Huron, R Parncutt Psychomusicology: A Journal of Research in Music Cognition 12 (2), 154, 1993 | 168 | 1993 |
| The humdrum toolkit: Reference manual DB Huron Center for Computer Assisted Research in the Humanities, 1994 | 166 | 1994 |
| What is melodic accent? Converging evidence from musical practice D Huron, M Royal Music Perception 13 (4), 489-516, 1996 | 159 | 1996 |
| Why do skips precede reversals? The effect of tessitura on melodic structure P Von Hippel, D Huron Music Perception 18 (1), 59-85, 2000 | 145 | 2000 |
| Perceptual and cognitive applications in music information retrieval D Huron Perception 10 (1), 83-92, 2000 | 136 | 2000 |
| Interval-class content in equally tempered pitch-class sets: Common scales exhibit optimum tonal consonance D Huron Music Perception 11 (3), 289-305, 1994 | 132 | 1994 |
| Tonal consonance versus tonal fusion in polyphonic sonorities D Huron Music Perception 9 (2), 135-154, 1991 | 131 | 1991 |
| Voice leading: The science behind a musical art D Huron mit Press, 2016 | 129 | 2016 |
| Humdrum and Kern selective feature encoding D Huron Beyond MIDI: The handbook of musical codes, 375-401, 1997 | 125 | 1997 |
| Agogic contrast in French and English themes: Further support for Patel and Daniele (2003) D Huron, J Ollen Music Perception 21 (2), 267-271, 2003 | 114 | 2003 |
