| Global Youth Citizenry and Radical Hope K Gallagher, DJ Rodricks, K Jacobson | 24* | |
| Accuracy and ethics, feelings and failures: Youth experimenting with documentary practices of performing reality K Gallagher, S Mealey, K Jacobson Theatre Research in Canada 39 (1), 2018 | 19 | 2018 |
| Beyond mimesis to an assemblage of reals in the drama classroom: which reals? Which representational aesthetics? What theatre-building practices? Whose truths? K Gallagher, K Jacobson Research in Drama Education: The Journal of Applied Theatre and Performance …, 2018 | 18 | 2018 |
| Introduction: A Situated, Ethical, Imaginative Doing and Being in the Encounter of Research K Gallagher, DJ Rodricks, K Jacobson Global Youth Citizenry and Radical Hope: Enacting Community-Engaged Research …, 2020 | 10 | 2020 |
| Theatre Companies Are Pushing Storytelling Boundaries with Online Audiences Amid COVID-19 K Jacobson The Conversation 22, 2020 | 5 | 2020 |
| PXR2020: Re-Seeing the Possibilities of Theatre in Virtual, Augmented, and Mixed Reality S Fung, K Jacobson, J Pike Canadian Theatre Review 189, 73-75, 2022 | 4 | 2022 |
| From Site to Self: Immersion, Audience Research, and Polyvocality K Blair, K Jacobson, S Mealey, J Salisbury Journal of Dramatic Theory and Criticism 36 (1), 75-93, 2021 | 3 | 2021 |
| A Method of Mis/Understanding: Translation Gaps, Metaphoric Truths, and Reflexive Methodologies K Jacobson Global Youth Citizenry and Radical Hope: Enacting Community-Engaged Research …, 2020 | 3 | 2020 |
| Through the Fictive to the Real (ish): Affective Time and the Representation of “Real Newfoundland” in Rising Tide Theatre’s Trinity Pageant K Jacobson Theatre Research in Canada 39 (1), 2018 | 3 | 2018 |
| Really Sell it to Me: Immersive theatre as Ideal Commodity K Jacobson Etudes 2 (2), 1-23, 2016 | 3 | 2016 |
| Real-ish: Audiences, Feeling, and the Production of Realness in Contemporary Performance K Jacobson McGill-Queen's Press-MQUP, 2023 | 2 | 2023 |
| Disruptive Presence: Twenty-First-Century Shifts in Spectatorship and Audience Research K Jacobson, S Mealey, J Salisbury Performance Matters 5 (2), 1-5, 2019 | 2 | 2019 |
| The Pervasive Real: Virtual Co-Presence in Jordan Tannahill’s YouTube Play rihannaboi95 K Jacobson Contemporary Theatre Review 32 (2), 191-205, 2022 | 1 | 2022 |
| Hashtag networks, "live" musical, and the social media spectator: digital theatre audience research methods K Jacobson Impacting Theatre Audiences: Methods for Studying Change, 64-75, 2022 | 1 | 2022 |
| Playing Real: Mimesis, Media, and Mischief By Lindsay Brandon Hunter. Evanston, IL: Northwestern University Press, 2021; pp. xxiv+ 162, 1 illustration. $34.95 e-book. K Jacobson Theatre Survey 62 (3), 374-376, 2021 | 1 | 2021 |
| Good Fences’s Scripted Truths: Cultivating Dialogue in Post-Real Times K Jacobson Canadian Theatre Review 175, 8-12, 2018 | 1 | 2018 |
| Feeling Real: Affective Dimensions of Reality in Contemporary Canadian Performance KL Jacobson University of Toronto (Canada), 2018 | 1 | 2018 |
| (Dis) Embodied Authority in White Rabbit, Red Rabbit K Jacobson Canadian Theatre Review 158 (158), 76-80, 2014 | 1 | 2014 |
| Participation as Intimate Act: Audience Reflections on Strategies of Consent in Roll Models K Jacobson, B Schaufler-Biback Journal of Consent-Based Performance 3 (1), 48-62, 2024 | | 2024 |
| David Owen, ed. Digital Performance in Canada K Jacobson University of Toronto Quarterly 92 (3), 318-319, 2023 | | 2023 |
