The philosophy of digital art K Thomson-Jones, S Moser | 37 | 2015 |
Videogame ontology, constitutive rules, and algorithms S Moser The Aesthetics of videogames, 42-59, 2018 | 8 | 2018 |
On Regarding Digital Art S Moser The Routledge Companion to the Philosophies of Painting and Sculpture, 49-58, 2023 | 2 | 2023 |
Art and the Emotions: Debating the work of Jenefer Robinson RP Doran, S Moser | 2 | 2019 |
Artist sanction and street works S Moser Visual Inquiry: Learning & Teaching Art 7 (1), 19-27, 2018 | 2 | 2018 |
Expression, Evolution, & Ontology: Debating the Work of Stephen Davies RP Doran, S Moser | 1 | 2017 |
Play and Aesthetics in Ancient Greece S Patridge, S Moser British Journal of Aesthetics 2023, 248, 2024 | | 2024 |
A Garden of One's Own: or Why Are There No Great Lady Detectives? S Moser, MA Xhignesse Feminist Philosophy Quarterly 9 (1), 2023 | | 2023 |
Garden of One's Own S Moser, MA Xhignesse | | 2023 |
Game, Sports, and Play: Philosophical Essays S Moser The British Journal of Aesthetics 60 (4), 505-510, 2020 | | 2020 |
Digitally Interactive Works and Video Games: A Philosophical Exploration S Moser PQDT-UK & Ireland, 2017 | | 2017 |
Daichendt, G. James. Stay Up! Los Angeles Street Art. San Francisco, CA: Cameron+ Company, 2012, numerous color illus., $35.00 cloth S Moser The Journal of Aesthetics and Art Criticism 71 (4), 394-396, 2013 | | 2013 |
John Blackburn: Without reference S Moser Visual Inquiry: Learning & Teaching Art 2 (2), 171-176, 2013 | | 2013 |
Art & Pornography, Philosophical Essays S Moser VISUAL INQUIRY-LEARNING & TEACHING ART 2 (2), 188-190, 2013 | | 2013 |
ART SCHOOL (PROPOSITIONS FOR THE 21ST CENTURY) S Moser VISUAL INQUIRY-LEARNING & TEACHING ART 1 (2), 2012 | | 2012 |
No folds barred: a review of the documentary film, Between the Folds S Moser Visual Inquiry 1 (1), 85-87, 2011 | | 2011 |
Finding civic identity: a review of Sarah Schrank’s Art and the City: Civic Imagination and Cultural Authority in Los Angeles S Moser Visual Inquiry 1 (1), 77-79, 2011 | | 2011 |