| Key concepts in gender studies J Pilcher, I Whelehan Sage, 2016 | 1143 | 2016 |
| Modern feminist thought: From the second wave to\post-feminism\ I Whelehan NYu press, 1995 | 921 | 1995 |
| Overloaded: Popular culture and the future of feminism I Whelehan Women's Press, 2000 | 781 | 2000 |
| Adaptations: From text to screen, screen to text D Cartmell, I Whelehan Routledge, 2013 | 554 | 2013 |
| Adaptations: The contemporary dilemmas I Whelehan Adaptations, 3-19, 2013 | 323 | 2013 |
| The Cambridge companion to literature on screen D Cartmell, I Whelehan Cambridge University Press, 2007 | 290 | 2007 |
| The Feminist Bestseller: From Sex and the Single Girlto Sex and the City I Whelehan Bloomsbury Publishing, 2017 | 276 | 2017 |
| Screen adaptation: Impure cinema H Bradley, I Whelehan Bloomsbury Publishing, 2010 | 267 | 2010 |
| Remaking feminism: Or why is postfeminism so boring? I Whelehan Nordic Journal of English Studies 9 (3), 155-172, 2010 | 91 | 2010 |
| Introduction-Literature on screen: A synoptic view D Cartmell, I Whelehan The Cambridge companion to literature on screen, 1-12, 2007 | 74 | 2007 |
| Trash aesthetics: popular culture and its audience D Cartmell Pluto Press, 1997 | 67 | 1997 |
| Helen Fielding's Bridget Jones's Diary I Whelehan A&C Black, 2002 | 66 | 2002 |
| Ageing, popular culture and contemporary feminism: Harleys and hormones I Whelehan, J Gwynne Springer, 2014 | 64 | 2014 |
| Retrovisions: Reinventing the past in film and fiction D Cartmell, I Whelehan, IQ Hunter Pluto Press, 2001 | 63 | 2001 |
| Ageing appropriately: Postfeminist discourses of ageing in contemporary Hollywood I Whelehan Postfeminism and contemporary Hollywood cinema, 78-95, 2013 | 47 | 2013 |
| Neo‐Victorian Adaptations I Whelehan A companion to literature, film, and adaptation, 272-291, 2012 | 47 | 2012 |
| Pulping fictions: consuming culture across the literature/media divide D Cartmell (No Title), 1996 | 47 | 1996 |
| Introduction to adaptation D Cartmell, T Corrigan, I Whelehan Adaptation: The Journal of Literature on Screen Studies 1 (1), 1-4, 2008 | 42 | 2008 |
| Alien Identities: exploring difference in film and fiction IQ Hunter, H Kaye, I Whelehan Pluto Press, 1999 | 39 | 1999 |
| Reading Lena Dunham’s Girls M Nash, I Whelehan Feminism, Postfeminism, Authenticity and Gendered Performance in …, 2017 | 38 | 2017 |
Jane PilcherAssociate Professor of Sociology, Nottingham Trent University在 ntu.ac.uk 的电子邮件经过验证
Jane PilcherAssociate Professor of Sociology, Nottingham Trent University在 ntu.ac.uk 的电子邮件经过验证
Professor Meredith NashAustralian National University在 anu.edu.au 的电子邮件经过验证