| Storytelling with virtual reality in 360-degrees: a new screen grammar K Dooley Studies in Australasian cinema 11 (3), 161-171, 2017 | 157 | 2017 |
| Cinematic Virtual Reality: A Critical Study of 21st Century Approaches and Practices K Dooley | 39 | 2021 |
| Scripting the virtual: Formats and development paths for recent Australian narrative 360-degree virtual reality projects K Dooley Journal of Screenwriting 9 (2), 175-189, 2018 | 29 | 2018 |
| A question of proximity: Exploring a new screen grammar for 360-degree cinematic virtual reality K Dooley Media Practice and Education 21 (2), 81-96, 2020 | 28 | 2020 |
| A focus on collaboration: Fostering Australian screen production students' teamwork skills K Dooley, L Sexton-Finck Journal of Teaching and Learning for Graduate Employability 8 (1), 74-105, 2017 | 28 | 2017 |
| Immersive media practices in the classroom: models of the teaching research nexus in an Australian context K Dooley, S Bender, G Ferris, B Frankham, A Munt, M Schleser Media Practice and Education 21 (4), 241-260, 2020 | 13 | 2020 |
| Virtual reality: Moving beyond a cinema of attractions K Dooley Screen Education, 97-103, 2018 | 8 | 2018 |
| Digital ‘underwriting’: A script development technique in the age of media convergence K Dooley Journal of Screenwriting 8 (3), 287-302, 2017 | 8 | 2017 |
| A promise of change: 52 Tuesdays (2013) – a case study of collaborative, low-budget feature-filmmaking practice K Dooley Studies in Australasian Cinema 8 (2-3), 150-162, 2014 | 8 | 2014 |
| The Palgrave handbook of screen production C Batty, M Berry, K Dooley, B Frankham, S Kerrigan palgrave macmillan, 2019 | 6 | 2019 |
| Navigating the Mind/body Divide: The Female Cannibal in French Films Grave (Raw, 2016), Dans ma peau (In My Skin, 2002) and Trouble Every Day (2001) K Dooley Gender and Contemporary Horror in Film, 53-66, 2019 | 5 | 2019 |
| Haptic visions of unstable bodies in the work of Claire Denis K Dooley Continuum 29 (3), 434-444, 2015 | 5 | 2015 |
| ‘When you have your back to the wall, everything becomes easy’: performance and direction in the films of Catherine Breillat K Dooley Studies in French Cinema 14 (2), 108-118, 2014 | 5 | 2014 |
| Foreign Bodies, community and trauma in the works of Clarie Denis: Beau Travail (1999), 35 Rhums (2008) and White Material (2009) K Dooley Screening the past 37, 1-1, 2013 | 5 | 2013 |
| Narrating women workers’ perceptions of sexism and change in the Australian screen postproduction sector before and after# MeToo K Dooley, J Erhart Feminist Media Studies 23 (2), 671-687, 2023 | 4 | 2023 |
| Crafting immersive experiences: A case study of the development of three short narrative cinematic virtual reality (CVR) projects K Dooley The Palgrave handbook of script development, 503-515, 2021 | 4 | 2021 |
| Wide open road: Freedom and facade in'The Meaning of Vanlife' K Dooley Screen Education, 66-71, 2020 | 4 | 2020 |
| Creating screen stories with game engines: Challenges and opportunities for students and researchers working collaboratively across disciplines K Dooley, S Emery Media Practice and Education 24 (1), 21-34, 2023 | 3 | 2023 |
| Diversity on and off screen in Australian film schools K Dooley, M McHugh, M Berry Australian Screen Production, Education and Research Association, 2020 | 3 | 2020 |
| ‘C’était moi mais ce n’était pas moi’: portrayal of the disabled body in Catherine Breillat’s Abus de faiblesse (2013) K Dooley Studies in French Cinema 19 (2), 150-164, 2019 | 3 | 2019 |
