| Rethinking censorship: A case study of Singaporean media SY Fong Javnost-The Public 25 (4), 410-425, 2018 | 10 | 2018 |
| Performing Fear in Television Production: Practices of an Illiberal Democracy SY Fong Amsterdam University Press, 2022 | 4 | 2022 |
| Drama production and audiences as ‘affective superaddressee’in an illiberal democracy SY Fong European Journal of Cultural Studies 25 (4), 1066-1082, 2022 | 4 | 2022 |
| Censorship as performance: A case of Singapore Media Production SY Fong Media, Margins and Popular Culture, 202-215, 2015 | 4 | 2015 |
| They don’t need us’: affective precarity and critique in transnational media work from the margins of ‘Cultural China SY Fong Media, Culture & Society, 01634437221140478, 2022 | 2 | 2022 |
| Unpacking the ‘Singapore New Wave’ SY Fong, HW Ng Asian Cinema 31 (1), 3-15, 2020 | 2 | 2020 |
| Imagining film censorship in Singapore: The case of Sex. Violence. FamilyValues SY Fong Asian Cinema 31 (1), 77-98, 2020 | 1 | 2020 |
| Regional partnerships and media policy in the age of China’s rise: the case of Singapore-China film co-productions SY Fong, T Lim International Journal of Cultural Policy, 1-15, 2024 | | 2024 |
| Envisioning cultural commoning: New Cultural Commons editors’ dialogue on Global South perspectives, inclusivity and Cultural Studies SY Fong, J Lin European Journal of Cultural Studies, 13675494241237158, 2024 | | 2024 |
| Transnational media production from the margins of “Cultural China”: the case of Singapore’s media producers SY Fong Inter-Asia Cultural Studies 24 (5), 744-760, 2023 | | 2023 |
| Performing Fear in Television Production SY Fong Performing Fear in Television Production, 2022 | | 2022 |
| Censorship as Per~ ormance: A Ca of Singapore MedIa Production Se SY Fong | | |
How Wee NgLecturer in Chinese Studies, University of Westminster在 westminster.ac.uk 的电子邮件经过验证
How Wee NgLecturer in Chinese Studies, University of Westminster在 westminster.ac.uk 的电子邮件经过验证