| No grand pronouncements here...: Reflections on cancel culture and digital media participation E Ng Television & new media 21 (6), 621-627, 2020 | 289 | 2020 |
| A “Post-Gay” Era? Media Gaystreaming, Homonormativity, and the Politics of LGBT Integration E Ng Communication, Culture & Critique 6 (2), 258-283, 2013 | 234 | 2013 |
| Word-specific knowledge, word-recognition strategies, and spelling ability VM Holmes, E Ng Journal of Memory and Language 32 (2), 230-257, 1993 | 144 | 1993 |
| Between Text, Paratext, and Context: Queerbaiting and the Contemporary Media Landscape E Ng Transformative Works and Cultures 24 (0), 2017 | 103 | 2017 |
| Cancel Culture: A Critical Analysis E Ng | 88 | 2022 |
| A Queer ‘Socialist Brotherhood’: The Guardian Web Series, Boys Love Fandom, and the Mainland Chinese State E Ng, X Li Feminist Media Studies 20 (4), 479-495, 2020 | 74 | 2020 |
| Reading the Romance of Fan Cultural Production: Music Videos of a Television Lesbian Couple E Ng Popular Communication 6 (2), 103-121, 2008 | 59 | 2008 |
| # CommunicationSoWhite: Race and Power in the Academy and Beyond E Ng, KC White, A Saha Communication, Culture & Critique 13 (2), 143-151, 2020 | 49 | 2020 |
| Envisioning Queer Female Fandom E Ng, JL Russo Transformative Works and Cultures 24, 2017 | 36 | 2017 |
| LGBT advocacy and transnational funding in Singapore and Malaysia E Ng Development and Change 49 (4), 1093-1114, 2018 | 18 | 2018 |
| Unmasking Masculinity: Considering Gender, Science, and Nation in Responses to Covid-19 E Ng Feminist Studies 46 (3), 694–703, 2020 | 12 | 2020 |
| Brand Nohomonationalism: Guofeng (‘National Style’) Framings of Boys’ Love Television Series in China E Ng, X Li Asian Studies Review 47 (3), 613-630, 2023 | 11 | 2023 |
| Feminist and Queer Practices in the Online and Offline Activism of Occupy Wall Street E Ng, S Toupin Networking Knowledge: Journal of the MeCCSA Postgraduate Network 6 (3), 2013 | 11 | 2013 |
| The “Gentleman-like” Anne Lister on Gentleman Jack: Queerness, Class, and Prestige in “Quality” Period Dramas E Ng International Journal of Communication 15, 2397-2417, 2021 | 10 | 2021 |
| Structural Approaches to Feminist Social Media Strategies: Institutional Governance and a Social Media Toolbox E Ng Feminist Media Studies 15 (4), 718-722, 2015 | 10 | 2015 |
| Contesting the Queer Subfield of Cultural Production: Paratextual Framings of Carol and Freeheld E Ng Journal of Film and Video 70 (3-4), 8-23, 2018 | 9 | 2018 |
| Media and LGBT Advocacy: Visibility and Transnationalism in a Digital Age E Ng The Routledge Companion to Media and Human Rights, 309-317, 2017 | 9 | 2017 |
| Demonstrative Words in the Algonquian Language Passamaquoddy: A Descriptive and Grammaticalization Analysis EC Ng | 7 | 2003 |
| Women on and Behind Chinese Entertainment Television: De/Constructing the Female Authorship of National Treasure T Trimmel, OT Zhou, M Zhang, E Ng Communication, Culture and Critique 15 (3), 393-410, 2022 | 6 | 2022 |
| Queer production studies E Ng Oxford Research Encyclopedia of Communication, 2021 | 6 | 2021 |
Khadijah Costley WhiteRutgers University在 scarletmail.rutgers.edu 的电子邮件经过验证
