| Vsevolod Meyerhold J Pitches Routledge, 2004 | 227 | 2004 |
| Science and the Stanislavsky tradition of acting J Pitches Routledge, 2005 | 202 | 2005 |
| Encountering ensemble D Barnett, M Boyd, B Brown, F Camilleri, P Carr, F Chamberlain, ... A&C Black, 2013 | 63 | 2013 |
| Performance perspectives: a critical introduction J Pitches, S Popat Bloomsbury Publishing, 2011 | 53 | 2011 |
| Digital reflection: Using digital technologies to enhance and embed creative processes C Kirk, J Pitches Technology, Pedagogy and Education 22 (2), 213-230, 2013 | 49 | 2013 |
| Stanislavsky in the World: The System and Its Transformations Across Continents J Pitches, S Aquilina Bloomsbury Publishing, 2017 | 41 | 2017 |
| Russians in Britain J Pitches Routledge, 2012 | 34 | 2012 |
| Performer training: Researching practice in the theatre laboratory J Pitches, S Murray, H Poynor, L Worth, D Richmond, JD Richmond Research Methods in Theatre and Performance, 137-61, 2011 | 27 | 2011 |
| Performing mountains J Pitches Springer Nature, 2020 | 17 | 2020 |
| Tracing/Training Rebellion: Object work in Meyerhold's biomechanics J Pitches Performance research 12 (4), 97-103, 2007 | 16 | 2007 |
| Towards a Platonic paradigm of performer training: Michael Chekhov and Anatoly Vasiliev J Pitches Contemporary Theatre Review 17 (1), 28-40, 2007 | 12 | 2007 |
| Stanislavsky with Chinese Characteristics: How the System was Introduced into China J Pitches, R Li Stanislavsky in the World: The System and Its Transformations across …, 2017 | 10 | 2017 |
| A System for All Nations? Stanislavsky’s Transmission in the World J Pitches Stanislavsky in the World: The System and Its Transformations across …, 2017 | 10 | 2017 |
| ‘Is it all going soft?’The turning point in Russian actor training J Pitches New Theatre Quarterly 21 (2), 108-117, 2005 | 8 | 2005 |
| Two Perspectives on the Phenomenon of Biomechanics in Contemporary Performance: an account of Gogol's The Government Inspector in production A Shrubsall, J Pitches Studies in Theatre Production 16 (1), 93-128, 1997 | 8 | 1997 |
| The end of the hour-glass: alternative conceptions of intercultural exchange between European and Chinese Operatic forms L Ruru, J Pitches Studies in Theatre and Performance 32 (2), 121-137, 2012 | 6 | 2012 |
| Simultaneity and Asynchronicity in Performer Training: A case study of Massive Open Online Courses as training tools J Pitches Time and Performer Training, 179-193, 2019 | 5 | 2019 |
| Introduction to Part III: Technique-Training the Actor’s Body and Voice’ J Pitches The Actor Training Reader, 55-66, 2015 | 5 | 2015 |
| Spinal Snaps Tracing a back-story of European actor training J Pitches Performance Research 14 (2), 85-95, 2009 | 5 | 2009 |
| The Technique in microcosm: Michael Chekhov's work on the Fishers' scene J Pitches Theatre, Dance and Performance Training 4 (2), 219-236, 2013 | 4 | 2013 |
