| Can the Subaltern Speak? G Riach Routledge, 2017 | 112* | 2017 |
| The Late Nadine Gordimer GK Riach Journal of Southern African Studies 42 (6), 1077-1094, 2016 | 20 | 2016 |
| Sticking together: Ivan Vladislavić’s collage practice GK Riach Safundi 16 (1), 78-95, 2015 | 11 | 2015 |
| “Concrete fragments”: An interview with Henrietta Rose-Innes GK Riach The Journal of Commonwealth Literature 55 (1), 111-120, 2020 | 8 | 2020 |
| Henrietta Rose-Innes and the politics of space GK Riach The Journal of Commonwealth Literature 55 (1), 22-37, 2020 | 8 | 2020 |
| Myth, Orality and the African Novel GK Riach Cambridge Critical Concepts: Magical Realism and Literature, 148-163, 2020 | 6 | 2020 |
| The Short Story after Apartheid: Thinking with Form in South African Literature GK Riach Liverpool University Press, 2023 | 3 | 2023 |
| It's Not Easy Being Green: A Review of Henrietta Rose-Innes's Green Lion G Riach Africainwords. com 24, 2016 | 2 | 2016 |
| Ways of Staying, Ways of Saying: From Black Writing in Britain to Black British Writing GK Riach The 1960s: A Decade of Modern British Fiction, 137, 2018 | 1 | 2018 |
| J.M. Coetzee and the Work of Music GK RIACH The Bloomsbury Handbook to JM Coetzee, 407, 2023 | | 2023 |
| Opaque Poetics in Salvador Plascencia’s The People of Paper GK Riach Critique: Studies in Contemporary Fiction, 2021 | | 2021 |
