Skipping a beat: Assessing the state of gender equality in the Australian music industry R Cooper, A Coles, S Hanna-Osborne University of Sydney, 2017 | 46 | 2017 |
Creative class politics: unions and the creative economy A Coles International Journal of Cultural Policy 22 (3), 456-472, 2016 | 43 | 2016 |
Unintended consequences: examining the impact of tax credit programmes on work in the Canadian independent film and television production sector A Coles Cultural Trends 19 (1-2), 109-124, 2010 | 24 | 2010 |
Sustained knowledge work and thinking time amongst academics: gender and working from home during the COVID-19 pandemic D Peetz, M Baird, R Banerjee, T Bartkiw, S Campbell, S Charlesworth, ... Labour and Industry 32 (1), 72-92, 2022 | 20 | 2022 |
Policy ecologies, gender, work, and regulation distance in film and TV production A Coles, K MacNeill Women, labor segmentation and regulation: Varieties of gender gaps, 211-231, 2017 | 17 | 2017 |
On the basis of risk: How screen executives’ risk perceptions and practices drive gender inequality in directing A Coles, DR Eikhof Gender, Work & Organization 28 (6), 2040-2057, 2021 | 15 | 2021 |
What's wrong with this picture? Directors and gender inequality in the Canadian screen-based produuction industry A Coles https://www.rmit.edu.au/content/dam/rmit/documents/college-of-business …, 2016 | 13 | 2016 |
Controversy, uncertainty and the diverse public in cultural diplomacy: Australia–China relations K Johanson, A Coles, H Glow, C Vincent Australian Journal of International Affairs 73 (4), 397-413, 2019 | 12 | 2019 |
The status of women in the Canadian arts and cultural industries A Coles, K MacNeill, JB Vincent, C Vincent, P Barré Research review 2018, 2010 | 12 | 2010 |
Acting in the name of culture? Organized labour campaigns for Canadian dramatic programming A Coles Canadian Journal of Communication 31 (3), 519-540, 2006 | 11 | 2006 |
Focus on Women: A report on gender (in) equality in the Canadian independent screen-based production industry A Coles Deakin University, 2013 | 9 | 2013 |
Counting Canucks: Cultural labour and Canadian cultural policy AL Coles | 9 | 2012 |
Promoting gender equality through the arts and creative industries: a review of case studies and evidence K MacNeill, A Coles, JB Vincent, A Kokkinos, M Robertson VicHealth, 2018 | 7 | 2018 |
Gender and informality at work–theoretical provocations: an introduction to the special issue on gender and informality A Coles, F Macdonald, A Delaney Labour & Industry: a journal of the social and economic relations of work 28 …, 2018 | 7 | 2018 |
Disciplinary itineraries and digital methods: Examining the Kinomatics collaboration networks D Verhoeven, PS Moore, A Coles, B Coate, V Zemaityte, K Musial, ... NECSUS_European Journal of Media Studies 9 (2), 273-298, 2020 | 6 | 2020 |
A wider lens: Australian camera workforce development and diversity A Coles, J Ferrer, V Zemaityte, M Banks Deakin University, 2022 | 5 | 2022 |
Opera-ting on inequality: gender representation in creative roles at The Royal Opera C Vincent, A Coles, JB Vincent Cultural Trends 31 (3), 205-221, 2022 | 5 | 2022 |
Control and insecurity in Australian and Canadian universities during the COVID-19 pandemic D Peetz, S O’Brady, J Weststar, A Coles, M Baird, R Cooper, ... Relations industrielles/Industrial Relations 77 (2), 2022 | 5 | 2022 |
Focus on youth: Canadian youth arts programming and policy A Coles Ottawa: Canadian Cultural Observatory, Department of Canadian Heritage, 2007 | 5 | 2007 |
The status of women in the Canadian arts and cultural industries: research review 2010-2018 A Coles, K MacNeill, J Vincent, C Vincent, P Barre Deakin University, 2018 | 4 | 2018 |