| Legitimacy as a social process C Johnson, TJ Dowd, CL Ridgeway Annual Review of Sociology 32, 53-78, 2006 | 1328 | 2006 |
| How policy shapes competition: Early railroad foundings in Massachusetts F Dobbin, TJ Dowd Administrative Science Quarterly 42 (3), 501-529, 1997 | 498 | 1997 |
| What is sociological about music? WG Roy, TJ Dowd Annual Review of Sociology 36, 183-203, 2010 | 393 | 2010 |
| The market that antitrust built: Public policy, private coercion, and railroad acquisitions, 1825 to 1922 F Dobbin, TJ Dowd American Sociological Review 65 (6), 631-657, 2000 | 332 | 2000 |
| Concentration and diversity revisited: Production logics and the US mainstream recording market, 1940–1990 TJ Dowd Social Forces 82 (4), 1411-1455, 2004 | 243 | 2004 |
| Organizing the musical canon: The repertoires of major US symphony orchestras, 1842 to 1969 TJ Dowd, K Liddle, K Lupo, A Borden Poetics 30 (1-2), 35-61, 2002 | 146 | 2002 |
| Music festivals as scenes: Examples from serious music, womyn's music and skatepunk TJ Dowd, K Liddle, J Nelson Music Scenes: Local, Translocal & Virtual, ed. by A Bennett and RA Peterson …, 2004 | 139 | 2004 |
| All that jazz: The success of jazz musicians in three metropolitan areas DL Pinheiro, TJ Dowd Poetics 37 (5-6), 490-506, 2009 | 111 | 2009 |
| Structural power and the construction of markets: The case of rhythm and blues TJ Dowd Comparative Social Research 21, 147-201, 2003 | 94 | 2003 |
| Charting race: The success of Black performers in the mainstream recording market, 1940 to 1990 TJ Dowd, M Blyler Poetics 30 (1-2), 87-110, 2002 | 94 | 2002 |
| The ties among the notes: The social capital of jazz musicians in three metro areas TJ Dowd, DL Pinheiro Work and Occupations 40 (4), 431-464, 2013 | 92 | 2013 |
| Production perspectives in the sociology of music TJ Dowd Poetics 32 (3-4), 235-246, 2004 | 90 | 2004 |
| Charting gender: The success of female acts in the US mainstream recording market, 1940–1990 TJ Dowd, K Liddle, M Blyler Transformation in cultural industries, 81-123, 2005 | 74 | 2005 |
| Diversificazione musicale e mercato discografico negli Stati Uniti, 1955-1990 [Musical diversity and the U.S. mainstream recording market, 1955-1990] TJ Dowd Rassegna Italiana di Sociologia 41 (2), 223-264, 2000 | 68* | 2000 |
| The sociology of music TJ Dowd 21st Century Sociology: A Reference Handbook, ed. by CD Bryant and DL Peck 2 …, 2007 | 58* | 2007 |
| The musical structure and social context of number one songs, 1955 to 1988: An exploratory analysis TJ Dowd Vocabularies of Public Life: Empirical Essays in Symbolic Structure, ed. by …, 1992 | 56* | 1992 |
| Production and producers of lifestyles: Fields of classical and popular music in the United States TJ Dowd Kölner Zeitschrift für Soziologie und Sozialpsychologie 51 (Special Issue …, 2011 | 39* | 2011 |
| From 78s to MP3s: The embedded impact of technology in the market for prerecorded music TJ Dowd The Business of Culture: Emerging Perspectives on Entertainment, Media and …, 2006 | 38* | 2006 |
| Careers in the Arts: Who Stays and Who Leaves? A Frenette, TJ Dowd Strategic National Arts Alumni Project (SNAAP) Special Report, 2020 | 36* | 2020 |
| Culture and commodification: Technology and structural power in the early US recording industry TJ Dowd International Journal of Sociology and Social Policy 22 (1/2/3), 106-140, 2002 | 36* | 2002 |
Frank DobbinProfessor of Sociology, Harvard University在 harvard.edu 的电子邮件经过验证
