| Behind closed doors. Scientists’ and science communicators’ discourses on science in society. A study across European research institutions S Casini, F Neresini Tecnoscienza–Italian Journal of Science & Technology Studies 3 (2), 37-62, 2012 | 44 | 2012 |
| Synesthesia, transformation and synthesis: toward a multi-sensory pedagogy of the image S Casini The Senses and Society 12 (1), 1-17, 2017 | 26 | 2017 |
| Magnetic resonance imaging (MRI) as mirror and portrait: MRI configurations between science and the arts S Casini Configurations 19 (1), 73-99, 2011 | 15 | 2011 |
| The aesthetics of magnetic resonance imaging (MRI): from the scientific laboratory to an artwork S Casini Contemporary Aesthetics, 2010 | 14 | 2010 |
| Giving Bodies Back to Data: Image Makers, Bricolage, and Reinvention in Magnetic Resonance Technology S Casini MIT Press, 2021 | 10 | 2021 |
| Beyond the neuro-realism fallacy: from John R. Mallard’s hand-painted MRI image of a mouse to BioArt scenarios S Casini Nuncius 32 (2), 440-471, 2017 | 7 | 2017 |
| Phantasmata of Dance: Time and Memory within Choreographic Constraints S Casini Forum for Modern Language Studies 55 (3), 325-338, 2019 | 5 | 2019 |
| Art in science centres: A challenge to visitors and evaluators S Casini Science Exhibitions: Communication and Evaluation, 51-76, 2010 | 5 | 2010 |
| The Aesthetics of Magnetic Resonance Imaging: from the Scientific Laboratory to a Work of Art S Casini Perspectives on Contemporary Aesthetics, 69-91, 2015 | 3 | 2015 |
| Sensing Nanotechnologies through the Arts: Seeing and Making on the Surface of Things S Casini Leonardo 47 (1), 36-42, 2014 | 3 | 2014 |
| The Material Site of Abstraction: Grid-Based Data Visualization in Brain Scans S Casini The Iconology of Abstraction, 221-234, 2020 | 2 | 2020 |
| From Where Do We See? Opening Up The Black Box of Biomedical Imaging S Casini Immobile Choreography, 31-66, 2019 | 2 | 2019 |
| Engaging Hand to Hand with the Moving Image: Serra, Viola and Grandrieux's Radical Gestures S Casini Cinema and Agamben: Ethics, Biopolitics and the Moving Image, 139-160, 2014 | 2 | 2014 |
| Curating the Biomedical Archive-fever S Casini Book of Abstracts, 45, 2010 | 2 | 2010 |
| That Obscure Object of Desire: Some Notes for a Slow Art-Science S Casini Tecnoscienza–Italian Journal of Science & Technology Studies 13 (2), 87-104, 2022 | 1 | 2022 |
| What counts as data and for whom? The role of the modest witness in art–science collaboration S Casini Routledge Handbook of Art, Science, and Technology Studies, 49-62, 2021 | 1 | 2021 |
| Scanning, Framing and Close-Up: Reimaging the Brain in 265 Looping Snapshots S Casini Leonardo 50 (2), 127-131, 2017 | 1 | 2017 |
| Displacing Concepts, Re-organising Knowledge: Beyond the Theory versus Practice Dilemma in the Arts and Humanities PhD S Casini Mind the Gap!: Working papers on practice based doctoral research in the …, 2016 | 1 | 2016 |
| Qualità e linguaggio: come facilitare l’acquisizione di competenze nei musei scientifico-naturalistici S Casini Museologia Scientifica Memorie 15, 104-107, 2016 | 1 | 2016 |
| The Aesthetics of Magnetic Resonance Imaging (MRI): Setting MRI in Motion from the Scientific Laboratory to an Art Exhibition S Casini Leonardo 48 (5), 477-477, 2015 | 1 | 2015 |
