| All Shook Up and the Unannounced Adaptation: Engaging with Twelfth Night's Unstable Identities JR Severn Theatre Journal 66 (4), 541-557, 2014 | 8 | 2014 |
| Shakespeare as Jukebox Musical JR Severn Routledge, 2018 | 6 | 2018 |
| Beyond Falstaff in ‘Die lustigen Weiber von Windsor’: Otto Nicolai’s Revolutionary ‘Wives’ JR Severn Music and Letters 96 (1), 28-54, 2015 | 5 | 2015 |
| Interrogating Escapism: Rethinking Kenneth Branagh's Love's Labour's Lost JR Severn Shakespeare Bulletin 31 (3), 453-483, 2013 | 5 | 2013 |
| Theatre and internationalization: Perspectives from Australia, Germany, and beyond U Garde, JR Severn Routledge, 2020 | 4 | 2020 |
| Salieri’s Falstaff, ossia Le tre burle and The Merry Wives of Windsor: Operatic Adaptation and/as Shakespeare Criticism JR Severn Cambridge Opera Journal 26 (1), 83-112, 2014 | 4 | 2014 |
| Theatre (s) and internationalization (s) U Garde, JR Severn Theatre and Internationalization, 3-33, 2020 | 3* | 2020 |
| Putting real people on stage: Helgard Haug (Rimini Protokoll) in conversation with theatre practitioners and academics from Australia M Mumford, J Severn Performance Paradigm 11, 2015 | 3 | 2015 |
| Opera-to-opera adaptation revived: Barrie Kosky and Elena Kats-Chernin’s Monteverdi Trilogie at the Komische Oper Berlin, instrumentation, localization and community JR Severn Journal of Adaptation in Film & Performance 15 (1-2), 41-59, 2022 | 2 | 2022 |
| Barrie Kosky's Transnational Theatres J Phillips, JR Severn Springer, 2021 | 2 | 2021 |
| It Begins with the Theatre: Barrie Kosky’s Workshop J Phillips, JR Severn Barrie Kosky’s Transnational Theatres, 1-30, 2021 | 1 | 2021 |
| Something for everybody? Art, community, the unfamiliar, and Barrie Kosky at the Adelaide Festival JR Severn Barrie Kosky’s Transnational Theatres, 81-104, 2021 | 1 | 2021 |
| 1930s jazz operetta and internationalization then and now: Risks, ethics, aesthetics JR Severn Theatre and Internationalization, 37-54, 2020 | 1 | 2020 |
| Barrie Kosky's" Saul": a masterpiece of operatic staging J Severn | 1 | 2017 |
| A (white) woman’s (ironic) places in Kiss Me, Kate and post-war America JR Severn Studies in Musical Theatre 6 (2), 173-186, 2012 | 1 | 2012 |
| The Routledge Companion to Theatre and Internationalization JR Severn, B Stone Routledge, Taylor and Francis Group, 2025 | | 2025 |
| Barrie Kosky's' King Lear'and Australia's decolonising processes JR Severn Re-mapping Shakespeare: hybridity, diversity and adaptation, 2024 | | 2024 |
| All’s Well That Ends Well’s Paroles and the Bisexual Miles Gloriosus: Early Modern Expectations, Modern Stagings JR Severn Shakespeare, 1-21, 2024 | | 2024 |
| Preference formation in demand for live theatre D Throsby, JR Severn, K Petetskaya Journal of Cultural Economics 48 (2), 285-310, 2024 | | 2024 |
| A Midsummer Night's Dream: Bell Shakespeare's admirable new Dream JR Severn Australian Book Review, 2024 | | 2024 |
