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‘La voce è grata assai, ma…’: Monteverdi on singing R Wistreich Early music 22 (1), 7-20, 1994 | 35 | 1994 |
Introduction: Musical materials and cultural spaces R Wistreich Renaissance Studies 26 (1), 1-12, 2012 | 23 | 2012 |
Singing early music: a conversation R Wistreich, J Potter Early Music 41 (1), 22-26, 2013 | 19 | 2013 |
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Promoting excellence in small group music performance: Teaching, learning and assessment J Ginsborg, R Wistreich Royal Northern College of Music accessed 3, 2014, 2010 | 17 | 2010 |
The Cambridge history of sixteenth-century music I Fenlon, R Wistreich Cambridge University Press, 2019 | 14 | 2019 |
Orfeo (1607) J Steinheuer, J Whenham, R Wistreich The Cambridge Companion to Monteverdi, 119-140, 2007 | 11 | 2007 |
" Real Basses, Real Men": Virtù and Virtuosity in the Construction of Noble Male Identity in Late Sixteenth-Century Italy R Wistreich troja. Jahrbuch für Renaissancemusik 2, 59-77, 2002 | 11 | 2002 |
Monteverdi Studies and ‘New’Musicologies SG Cusick, J Whenham, R Wistreich The Cambridge Companion to Monteverdi, 249-260, 2007 | 10 | 2007 |
Philippe De Monte: new autobiographical documents R Wistreich Early Music History 25, 257-308, 2006 | 10 | 2006 |
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Monteverdi R Wistreich Routledge, 2017 | 8 | 2017 |
Introduction: Voicing Text 1500–1700 J Richards, R Wistreich Huntington Library Quarterly 82 (1), 3-16, 2019 | 7 | 2019 |
Of Mars I Sing: Monteverdi Voicing Virility 1 R Wistreich Masculinity and Western Musical Practice, 67-94, 2017 | 7 | 2017 |
The Anatomy of the Renaissance Voice J Richards, R Wistreich Edinburgh Companion to the Critical Medical Humanities, 2016 | 7 | 2016 |
Vocal performance in the seventeenth century R Wistreich Cambridge University Press, 2012 | 7 | 2012 |