| Indigenous storytelling and language learning: digital media as a vehicle for cultural transmission and language acquisition J Barrett, C Cocq Perspectives on Indigenous writing and literacies, 89-112, 2019 | 21 | 2019 |
| Religion in New Places: Rhetoric of the Holy in the Online Virtual Environment of Second Life JG Barrett Changing Societies–Values, Religions, and Education, 19, 2010 | 9 | 2010 |
| The Ergodic Revisited : Spatiality as a Governing Principle of Digital Literature JG Barrett Umeå university, Humanisties Facaulty, Department of Language Studies, 2015 | 8 | 2015 |
| Virtual Worlds and Indigenous Narratives JG Barrett The Immersive Internet, 77-91, 2013 | 7 | 2013 |
| A Pedegogy of Craft: Teaching culture analysis with machinima JG Barrett, N Jenna Understanding Machinima: Essays on Filmaking in Virtual Worlds, 227-244, 2013 | 6* | 2013 |
| Narratives of Creation and Space:: Pilgrimage, Aboriginal and Digital JG Barrett Format, 18-19, 2008 | 6 | 2008 |
| Spacing creation: The HUMlab Second Life Project JG Barrett, S Gelfgren Tapir Academic Press, 2009 | 5* | 2009 |
| Learning places: A case study of collaborative pedagogy using online virtual worlds JG Barrett, S Gelfgren Multi-User Virtual Environments for the Classroom: Practical Approaches to …, 2011 | 4 | 2011 |
| Chronotope and Cybertexts: Bakhtinian Theory for Tracing Sources of Narrative in Interactive Virtual Environments: From Naked Lunch to Fast City JG Barrett Umeå University - Humlab, 2004 | 2* | 2004 |
| Virtual Worlds, Machinima and Cooperation over Borders JG Barrett Sens Public, 2013 | 1 | 2013 |
| Reading with the Body: Interpreting Three Dimensional Media as Narrative JG Barrett The projected and prophetic: humanity in cyberculture, cyberspace, and …, 2011 | 1 | 2011 |
| Submission to the Yoorook Justice Commission JG Barrett https://yoorrookjusticecommission.org.au/document-library/submission-james …, 2024 | | 2024 |
| The Psychedelic Self at Play: Re-reading whimsy in the early music of Pink Floyd J Barrett The Routledge Handbook of Pink Floyd, 275-292, 2022 | | 2022 |
| Indigenous storytelling in educational contexts: digital media as a vehicle for cultural transmission and language acquisition. CCA Cocq, J Barrett Perspectives in Indigenous Writing and Literacies., 2019 | | 2019 |
| The Formulation of Performance Art (Or How to Take Apart Reality) JG Barrett Fylkingen #TONGUES 2 (2), 2017 | | 2017 |
| The Impact of Digital Technologies on Literature JG Barrett Tidskrift för litteraturvetenskap 47 (3-4), 8-10, 2017 | | 2017 |
| The Half-Imagined Past: The Audio-Depiction of 1960s Capitalism and Freedom in the Music of Wolfenstein: The New Order and Mad Men JG Barrett, J Ng Kinephanos | Médias et culture populaire / Media and popular culture 6 (Issue 1), 2016 | | 2016 |
| ARTEFACTS Royal College of Art, Stockholm, 2014 | | 2014 |
| Frankenstein’s Monster Comes Home: The ‘Two Cultures’ in Remix JG Barrett Authorship 2 (2), 2013 | | 2013 |
| En görandets humaniora: skapande i virtuella världar som pedagogiskt verktyg JG Barrett, S Gelfgren Umeå Universitetspedagogiska konferensens, 59-77, 2010 | | 2010 |
Stefan GelfgrenDepartment of Historical, Philosophical and Religious Studies, Umeå University在 umu.se 的电子邮件经过验证
