| Designing for intersubjectivity and dialogicality in museum interactive installations about migration A Galani, A Durrant, D Chating, R Farley Digital Creativity 31 (4), 302-319, 2020 | 11 | 2020 |
| Mapping contemporary art in the heritage experience N Black, R Farley Contemporary Art in Heritage Spaces, 15-31, 2020 | 5 | 2020 |
| Contemporary Art in Heritage Practice: Mapping Its Intentions, Claims, and Complexities R Farley, VL Pollock Heritage & Society 15 (3), 241-258, 2022 | 2 | 2022 |
| Size isn’t everything: The failure of big public art R Farley, VL Pollock Public Art Dialogue 10 (2), 197-216, 2020 | 2 | 2020 |
| Mapping Contemporary Art in the Heritage Experience: Industry Stakeholders Report N Black, A Burton, N Cass, R Farley, J King, A Newman, V Pollock Newcastle University, 2020 | 1 | 2020 |
| From the Ground Up: Rewriting the Creative City Narrative S Thompson, V Pollock, R Farley, A Patrick | | 2023 |
| ‘Welcome to the North’: Public Art, Place-Marketing and the Northern Imaginary R Farley Visual Culture in Britain, 1-17, 2022 | | 2022 |
| Volunteer Voices: Industry Stakeholders Report April 2022 R Farley, J King, A Burton, K Claxton | | 2022 |
| Strange alliance or a match that was meant to be? Interrelations between public art and the museum R Farley Museum & Society 17 (2), 263-266, 2019 | | 2019 |
| Mapping Contemporary Art in the Heritage Experience–publicly accessible online Google Map mapping the field of practice 1990-2018. R Farley, V Pollock Newcastle University, 2019 | | 2019 |
| Beyond The Angel of the North: Museology and the public art cityscape in Newcastle-Gateshead R Farley Newcastle University, 2018 | | 2018 |
| Angel of the North Significance Assessment J Brown, C Edy, A Pepperall, R Farley Newcastle University, 2017 | | 2017 |
Venda Louise PollockProfessor of Public Art, Newcastle University在 ncl.ac.uk 的电子邮件经过验证
