| Comics memory: archives and styles M Ahmed, B Crucifix Springer, 2018 | 34 | 2018 |
| Introduction: Untaming comics memory M Ahmed, B Crucifix Comics Memory: Archives and Styles, 1-12, 2018 | 14 | 2018 |
| From loose to boxed fragments and back again. Seriality and archive in Chris Ware’s Building Stories B Crucifix Journal of Graphic Novels and Comics 9 (1), 3-22, 2018 | 13 | 2018 |
| E-graphic Novels B Crucifix, BO Dozo 9781107171411, 2018 | 13 | 2018 |
| Cut-Up and Redrawn: Reading Charles Burns's Swipe Files B Crucifix Inks: The Journal of the Comics Studies Society 1 (3), 309-333, 2017 | 12 | 2017 |
| Drawing, Redrawing, and Undrawing B Crucifix The Oxford Handbook of Comic Book Studies, 148, 2020 | 10 | 2020 |
| Drawing from the Archives. Comics Memory in the Graphic Novel, post 2000 B Crucifix Doctoral diss., Université de Liège, 2020 | 7 | 2020 |
| A chamber of echo: on the post-comics of Ilan Manouach B Crucifix Post-comics: beyond comics, illustration and the graphic novel, 77-86, 2020 | 6 | 2020 |
| Rethinking the ‘Memorable Panel’from Pierre Sterckx to Olivier Josso Hamel B Crucifix European Comic Art 10 (2), 24-47, 2017 | 5 | 2017 |
| Drawing from the Archives: Comics Memory in the Contemporary Graphic Novel B Crucifix Cambridge University Press, 2023 | 3 | 2023 |
| Mere Details? Abstraction in the Comics of Ephameron and Olivier Schrauwen B Crucifix, G Meesters Abstraction and Comics/Bande dessinée et abstraction, 637-655, 2019 | 3 | 2019 |
| Abstraction and comics= Bande dessinée et abstraction A Rommens, B Crucifix, BO Dozo, E Dejasse, P Turnes La Cinquième Couche| Presses Universitaires de Liège, 2019 | 3 | 2019 |
| Uneven developments: bande dessinée, rear-guard and neo-avant-gardes B Crucifix Neo-avant-gardes: post-war literary experiments across borders, 180-194, 2021 | 2 | 2021 |
| (À Suivre) Overseas: The Transatlantic Circulation of the French Graphic Novel. B Crucifix, S Lesage Journal of Comics & Culture 5, 2020 | 2 | 2020 |
| 'Francophone sans frontière': exporter une revue par son catalogue S Lesage, B Crucifix (À Suivre): archives d'une revue culte, 297-317, 2018 | 2 | 2018 |
| Mémoire de la bande dessinée dans Au travail d’Olivier Josso Hamel. Cases remémorées, redessinées B Crucifix Comicalités. Études de culture graphique, 2017 | 2 | 2017 |
| The medium is the message: Olivier Schrauwen’s Arsène Schrauwen beyond expectations of autobiography, colonial history and the graphic novel B Crucifix, G Meesters European Comic Art 9 (1), 24-62, 2016 | 2 | 2016 |
| Witnessing Fukushima Secondhand: Collage, Archive and Travelling Memory in Jacques Ristorcelli’s Les Écrans B Crucifix Comics Grid: Journal of Comics Scholarship 6, 2016 | 2 | 2016 |
| Bertoyas dans la jungle. Bande dessinée et édition sauvage B Crucifix, P Moura 1 Mémoires du livre 8 (1), 2016 | 2 | 2016 |
| Nitnint et tintiN: Charles Burns et ses doubles B Crucifix du9, l'autre bande dessinée, 2014 | 2 | 2014 |
