| Seamlessness: Making and (un) knowing in Fashion Practice Y Lee Intellect, 2016 | 15 | 2016 |
| Seaming hands: The meaning and value of the handmade in contemporary fashion Y Lee Luxury 2 (1), 61-80, 2015 | 10 | 2015 |
| Distinction by Indistinction: Luxury, Stealth, Minimalist Fashion YS Lee Luxury 6 (3), 203-225, 2021 | 9 | 2021 |
| The Textilesphere: The threshold of everyday contacts Y Lee TEXTILE 18 (2), 160-179, 2020 | 9 | 2020 |
| The ambiguity of seamlessness: The skin ego and the materiality of fashion Y Lee Critical Studies in Fashion & Beauty 6 (1), 75-93, 2015 | 4 | 2015 |
| The white-clad people: The white hanbok and Korean nationalism Y Lee Cultural Dynamics 34 (4), 271-296, 2022 | 3 | 2022 |
| Surface and Apparition: The Immateriality of Modern Surface Y Lee Bloomsbury Visual Arts, 2020 | 3 | 2020 |
| Seaming, Writing, and Making Strange: Between material and text. Y Lee Auckland University of Technology, 2016 | 2 | 2016 |
| The ambiguity of seamlessness: The poetic function of making YS Lee PQDT-UK & Ireland, 2012 | 1 | 2012 |
| From passivity to agency: audience participation in fashion shows YS Lee Bloomsbury Fashion Video Archive, 2024 | | 2024 |
| Eyes in The Skin I Live In: The Incorporation of Surveillance in Mediatized Culture Y Lee Fashion Theory 26 (2), 185-210, 2022 | | 2022 |
| 'Textilesphere: To mark is to be marked' Y Lee Manchester Metropolitan University, 2018 | | 2018 |
| The Poetics of Self-fashioning: Between nonsense and meaning Y Lee Fashion in fiction: style stories and transglobal narratives, 2014 | | 2014 |
| The Skin, the Garment Surface and the Production of Modern Magic Y Lee Association of Art Historians 40th Anniversary Annual Conference, 2014 | | 2014 |
