| Surrogate Selves: The" Rolin Madonna" and the Late-Medieval Devotional Portrait LD Gelfand, WS Gibson Simiolus: Netherlands quarterly for the history of art 29 (3/4), 119-138, 2002 | 58 | 2002 |
| Push Me, Pull You: Imaginative, Emotional, Physical, and Spatial Interaction in Late Medieval and Renaissance Art S Blick, LD Gelfand Brill, 2011 | 42 | 2011 |
| Margaret of Austria and the encoding of power in patronage: the funerary foundation at Brou LD Gelfand Widowhood and visual culture in early modern Europe, 145-159, 2017 | 22 | 2017 |
| Our dogs, our selves: dogs in Medieval and early modern art, literature, and society LD Gelfand Brill, 2016 | 18 | 2016 |
| Sense and simulacra: Manipulation of the senses in medieval ‘copies’ of Jerusalem LD Gelfand postmedieval: a journal of medieval cultural studies 3, 407-422, 2012 | 18 | 2012 |
| Fifteenth-century Netherlandish devotional portrait diptychs: Origins and function LD Gelfand Case Western Reserve University, 1994 | 18 | 1994 |
| Regecy, power, and dynastic visual memory: Margaret of Austria as patron and propagandist LD Gelfand na, 2004 | 14 | 2004 |
| New Orleans: A special issue on the gender politics of place and displacement TJ Boisseau, K Feltey, K Flynn, L Gelfand, M Triece NWSA Journal 20 (3), vii-xiv, 2008 | 12 | 2008 |
| 4. Illusionism and Interactivity: Medieval Installation Art, Architecture and Devotional Response LD Gelfand Push Me, Pull You, 85-116, 2011 | 11 | 2011 |
| Piety, Nobility and Posterity: Wealth and the Ruin of Nicolas Rolin’s Reputation L Gelfand Journal of Historians of Netherlandish Art 1 (1), 2009 | 10 | 2009 |
| The devotional portrait diptych and the manuscript tradition L Gelfand, JO Hand, R Spronk | 10 | 2006 |
| Devotion, Imitation, and Social Aspirations: Fifteenth-Century Bruges and a Memling School Madonna and Child LD Gelfand Cleveland Studies in the History of Art 5, 6-19, 2000 | 10 | 2000 |
| Social status and sin: reading Bosch’s Prado seven deadly sins and four last things painting LD Gelfand The Seven Deadly Sins, 229-256, 2007 | 6 | 2007 |
| Regional styles and political ambitions: Margaret of Austria’s monastic foundation at Brou LD Gelfand Cultural exchange between the Low Countries and Italy (1400-1600), 193-202, 2007 | 6 | 2007 |
| The Origins of the Devotional Portrait Diptych in Manuscripts LD Gelfand Portraits and Prayers: Unfolding the Netherlandish Diptych, 46-59, 2006 | 5 | 2006 |
| What’s love got to do with it? Unlacing the love knots in Margaret of Austria’s Royal Monastery at Brou LD Gelfand Ut pictura amor, 411-438, 2017 | 4 | 2017 |
| A Tale of Two Dukes: Philip the Bold, Giangaleazzo Visconti, and their Carthusian Foundations LD Gelfand Studies in Carthusian Monasticism in the Late Middle Ages, 201-223, 2008 | 4 | 2008 |
| Bruges as Jerusalem, Jerusalem as Bruges: Actual, performative and imagined pilgrimage in fifteenth-century manuscript illuminations and paintings LD Gelfand Annales d'histoire de l'art et d'archéologie 29, 7-24, 2007 | 4 | 2007 |
| 6 ‘I was blind and now I can see!’Sight and Revelation in the St William Window in York Minster LD Gelfand Devotional Interaction in Medieval England and its Afterlives, 162-182, 2018 | 3 | 2018 |
| Push Me, Pull You LD Gelfand, S Blick Brill, 2011 | 3 | 2011 |
