| Digital sociology: Critical perspectives K Orton-Johnson, N Prior Springer, 2013 | 262 | 2013 |
| Museums and modernity: Art galleries and the making of modern culture N Prior (No Title), 2002 | 233 | 2002 |
| Critique and renewal in the sociology of music: Bourdieu and beyond N Prior Cultural sociology 5 (1), 121-138, 2011 | 207 | 2011 |
| Putting a glitch in the field: Bourdieu, actor network theory and contemporary music N Prior Cultural sociology 2 (3), 301-319, 2008 | 203 | 2008 |
| A question of perception: Bourdieu, art and the postmodern N Prior The British journal of sociology 56 (1), 123-139, 2005 | 186 | 2005 |
| Bourdieu and the sociology of music consumption: A critical assessment of recent developments N Prior Sociology Compass 7 (3), 181-193, 2013 | 133 | 2013 |
| Popular music, digital technology and society N Prior SAGE Publications Ltd, 2018 | 132 | 2018 |
| Having one's Tate and eating it: Transformations of the museum in a hypermodern era N Prior Art and its publics: Museum studies at the millennium, 51-76, 2003 | 111 | 2003 |
| The rise of the new amateurs N Prior Handbook of cultural sociology, 398-407, 2010 | 105 | 2010 |
| Postmodern restructurings N Prior A companion to museum studies, 509-524, 2006 | 94 | 2006 |
| OK COMPUTER: Mobility, software and the laptop musician N Prior Information, Communication & Society 11 (7), 912-932, 2008 | 71 | 2008 |
| ‘It’s A Social Thing, Not a Nature Thing’: Popular Music Practices in Reykjavik, Iceland N Prior Cultural Sociology 9 (1), 81-98, 2015 | 68 | 2015 |
| Speed, rhythm, and time-space: Museums and cities N Prior Space and Culture 14 (2), 197-213, 2011 | 61 | 2011 |
| The plural iPod: A study of technology in action N Prior Poetics 42, 22-39, 2014 | 57 | 2014 |
| Software Sequencers and Cyborg Singers: Popular Music in the Digital Hypermodern. N Prior New Formations, 2009 | 51 | 2009 |
| Museums: Leisure between state and distinction N Prior Histories of leisure, 27-44, 2002 | 32 | 2002 |
| On Vocal Assemblages: From Edison to Miku N Prior Contemporary Music Review 37 (5-6), 488-506, 2018 | 27 | 2018 |
| Beyond Napster: Popular music and the normal Internet N Prior The Sage handbook of popular music, 493-507, 2015 | 27 | 2015 |
| A different field of vision: gentlemen and players in Edinburgh, 1826–1851 N Prior The Sociological Review 49 (1_suppl), 142-163, 2001 | 22 | 2001 |
| Musiques populaires en régime numérique: acteurs, équipements, styles et pratiques N Prior Réseaux, 66-90, 2012 | 20 | 2012 |
Kate Orton-JohnsonUniversity of Edinburgh在 ed.ac.uk 的电子邮件经过验证
Kate Orton-JohnsonUniversity of Edinburgh在 ed.ac.uk 的电子邮件经过验证