| Creative (ir) regularities: The intermeshing of text and melody in performance of Central Australian song L Barwick Australian Aboriginal Studies, 12-28, 1989 | 61 | 1989 |
| Endangered songs and endangered languages. A Marett, L Barwick Maintaining the links: language, identity and the land, 144-151, 2003 | 57 | 2003 |
| Iwaidja Jurtbirrk songs: Bringing language and music together L Barwick, B Birch, N Evans Australian Aboriginal Studies, 6-34, 2007 | 49 | 2007 |
| Turning it all upside down... Imagining a distributed digital audiovisual archive L Barwick Literary and Linguistic Computing 19 (3), 253-263, 2004 | 47 | 2004 |
| Musical syntax and the problem of meaning in a Central Australian songline CJ Ellis, LM Barwick Musicology Australia 10 (1), 41-57, 1987 | 44 | 1987 |
| For the sake of a song: Wangga songmen and their repertories A Marett, L Barwick, L Ford Sydney University Press, 2013 | 42 | 2013 |
| Tempo bands, metre and rhythmic mode in Marri Ngarr 'Church Lirrga' songs L Barwick Australasian Music Research, 67-83, 2002 | 38 | 2002 |
| Fables and endless genealogies: Soap opera and women's culture ME Brown, L Barwick Continuum: Journal of Media & Cultural Studies 1 (2), 71-82, 1988 | 35 | 1988 |
| Sustaining Women's Yawulyu/Awelye: Some Practitioners' and Learners' Perspectives L Barwick, M Laughren, M Turpin Musicology Australia 35 (2), 191-220, 2013 | 34 | 2013 |
| Musical Form and Style in Murriny Patha Song at Wadeye L Barwick Analytical and cross-cultural studies in world music, 316-354, 2011 | 34* | 2011 |
| Keeping records of language diversity in Melanesia: the Pacific and Regional Archive for Digital Sources in Endangered Cultures (PARADISEC) L Barwick, N Thieberger Melanesian languages on the edge of Asia: challenges for the 21st century …, 2012 | 33 | 2012 |
| A musicologist’s wishlist: some issues, practices and practicalities in musical aspects of language documentation. L Barwick Language Documentation and Description, 53-62, 2006 | 31 | 2006 |
| Marri Ngarr Lirrga Songs: A Musicological Analysis of Song Pairs in Performance L Barwick Musicology Australia 28 (1), 1-25, 2005 | 31 | 2005 |
| Song as an Indigenous art L Barwick Oxford companion to Aboriginal art and culture, 328-335, 2000 | 31 | 2000 |
| Communities of interest: issues in establishing a digital resource on Murrinh-patha song at Wadeye (Port Keats), NT L Barwick, A Marett, M Walsh, N Reid, L Ford Literary and Linguistic Computing 20 (4), 383-397, 2005 | 30 | 2005 |
| Performance, aesthetics, experience: Thoughts on Yawulyu Mungamunga songs L Barwick Aesthetics and experience in music performance, 1-18, 2005 | 30 | 2005 |
| The essence of singing and the substance of song: Recent responses to the Aboriginal performing arts and other essays in honour of Catherine Ellis L Barwick, A Marett, G Tunstill Oceania Publications, 1995 | 30* | 1995 |
| Cybraries in paradise: new technologies and ethnographic repositories L Barwick, N Thieberger Libr@ries: Changing information space and practice, 133-49, 2006 | 27* | 2006 |
| Central Australian women's ritual music: Knowing through analysis versus knowing through performance L Barwick Yearbook for Traditional Music 22, 60-79, 1990 | 27 | 1990 |
| Central Australian Aboriginal songs and biocultural knowledge: evidence from women's ceremonies relating to edible seeds G Curran, L Barwick, M Turpin, F Walsh, M Laughren Journal of Ethnobiology 39 (3), 354-370, 2019 | 26 | 2019 |
Nick ThiebergerUniversity of Melbourne在 unimelb.edu.au 的电子邮件经过验证
