| Michael Haneke's cinema: The ethic of the image C Wheatley Berghahn Books, 2022 | 282 | 2022 |
| SECRETS, LIES & VIDEOTAPE Michael Haneke's Hidden continues his probing of western audiences' guilt at their own privilege. But are the threats we perceive all in the mind C Wheatley Sight and Sound 16 (2), 32, 2006 | 45 | 2006 |
| French Film in Britain: Sex, Art and Cinephilia L Mazdon, C Wheatley Berghahn Books, 2013 | 33 | 2013 |
| The masochistic fantasy made flesh: Michael Haneke's La Pianiste as melodrama C Wheatley Studies in French Cinema 6 (2), 117-127, 2006 | 20 | 2006 |
| Stanley cavell and film: scepticism and self-reliance at the cinema C Wheatley Bloomsbury Publishing, 2021 | 18 | 2021 |
| Caché (Hidden) C Wheatley British Film Institute, 2020 | 18 | 2020 |
| Naked women, slaughtered animals: Ulrich Seidl and the limits of the real C Wheatley The New Extremism in Cinema: From France to Europe, 93-101, 2011 | 17 | 2011 |
| Contested Interactions: Watching Catherine Breillat’s Scenes of Sexual Violence C Wheatley Journal for Cultural Research 14 (1), 27-41, 2010 | 17 | 2010 |
| Je t’aime... moi non plus: Franco-British Cinematic Relations L Mazdon, C Wheatley Berghahn Books, 2010 | 15 | 2010 |
| Not Politics but People: The “Feminine Aesthetic” of Valeska Grisebach and Jessica Hausner C Wheatley New Austrian Film, 136-147, 2011 | 13 | 2011 |
| Michael Haneke-Unkind rewind C Wheatley, S Johnston, M Atkinson Sight and Sound 18 (4), 18-22, 2008 | 12 | 2008 |
| The new Eve: Faith, femininity and the fairy tale in Catherine Breillat's Barbe bleue/Bluebeard (2009) C Wheatley Studies in European Cinema 10 (1), 71-80, 2013 | 11 | 2013 |
| Europa Europa C Wheatley Sight & sound 18 (10), 46-49, 2008 | 8 | 2008 |
| Shoe Reels: The History and Philosophy of Footwear in Film E Ezra, C Wheatley Edinburgh University Press, 2021 | 7 | 2021 |
| Deconstructing Christianity in Contemporary European Cinema: Nanni Moretti's Habemus Papam and Jean-Luc Nancy's Dis-Enclosure C Wheatley Religion in Contemporary European Cinema, 11-26, 2014 | 7 | 2014 |
| Domestic invasion: Michael Haneke and home audiences C Wheatley The Cinema of Michael Haneke: Europe Utopia, 10-23, 2011 | 7 | 2011 |
| Behind the door C Wheatley Sight & sound 20 (8), 38-42, 2010 | 7 | 2010 |
| Christianity and European film CA Wheatley The Europeannness of European Film: Identity, Meaning, Globalization, 87-100, 2014 | 6 | 2014 |
| Unseen/Obscene: The (Non-) Framing of the Sexual Act in Michael Haneke’s La Pianiste C Wheatley New Austrian Film, 177-88, 2011 | 6 | 2011 |
| Intimate connections L Mazdon, C Wheatley Sight and Sound Magazine 18 (5), 38-40, 2008 | 6 | 2008 |
Elizabeth EzraProfessor of Cinema and Culture, University of Stirling在 stir.ac.uk 的电子邮件经过验证
Elizabeth EzraProfessor of Cinema and Culture, University of Stirling在 stir.ac.uk 的电子邮件经过验证