| To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in Through the Wire C Wake Modern Drama 56 (1), 102–125, 2013 | 73 | 2013 |
| The Accident and the Account: Towards a Taxonomy of Spectatorial Witness in Theatre and Performance Studies C Wake Performance Paradigm 5 (1), 82–100, 2009 | 71 | 2009 |
| Regarding the Recording: The Viewer of Video Testimony, the Complexity of Copresence and the Possibility of Tertiary Witnessing C Wake History & Memory 25 (1), 111–144, 2013 | 70 | 2013 |
| Verbatim: Staging Memory and Community P Brown, C Wake Currency Press, 2010 | 61* | 2010 |
| Headphone Verbatim Theatre: Methods, Histories, Genres, Theories C Wake New Theatre Quarterly 29 (4), 321–335, 2013 | 53 | 2013 |
| Envisioning Asylum/Engendering Crisis: Or, Performance and Forced Migration 10 Years On E Cox, C Wake Research in Drama Education 23 (2), 137–147, 2018 | 36 | 2018 |
| Verbatim Theatre within a Spectrum of Practices C Wake Verbatim: Staging Memory and Community, 6-8, 2010 | 33 | 2010 |
| Two Decades of Digital Pedagogies in the Performing Arts: A Comparative Survey of Theatre, Performance, and Dance C Wake International Journal of Performance Arts and Digital Media 14 (1), 52–69, 2018 | 28 | 2018 |
| Through the (In)visible Witness in Through the Wire C Wake Research in Drama Education 13 (2), 187–192, 2008 | 25 | 2008 |
| The Politics and Poetics of Listening: Attending Headphone Verbatim Theatre in Post-Cronulla Australia C Wake Theatre Research International 39 (2), 82–100, 2014 | 22 | 2014 |
| Towards a Working Definition of Verbatim Theatre C Wake Verbatim: Staging Memory and Community, 2-5, 2010 | 22 | 2010 |
| Visions and Revisions: Performance, Memory, Trauma B Trezise, C Wake Museum Tusculanum Press, 2013 | 17 | 2013 |
| A Short History of Verbatim Theatre U Garde, M Mumford, C Wake Verbatim: Staging Memory and Community, 9-17, 2010 | 15 | 2010 |
| Between Repetition and Oblivion: Performance, Testimony, and Ontology in the Refugee Determination Process C Wake Text and Performance Quarterly 33 (4), 326–343, 2013 | 11 | 2013 |
| Disabling Spectacle: Curiosity, Contempt and Collapse in Performance Theatre B Trezise, C Wake We're People Who Do Shows: Back to Back Theatre - Performance Politics …, 2013 | 11 | 2013 |
| Postcard from the Edge: Tom Holloway's Beyond the Neck and the Limits of Verbatim C Wake Australasian Drama Studies 72, 100–125, 2018 | 9 | 2018 |
| The Ambivalent Politics of One-to-One Performance C Wake Performance Paradigm 13, 163–173, 2017 | 9 | 2017 |
| Introduction to After Effects: Performing the Ends of Memory B Trezise, C Wake Performance Paradigm 5 (1), 1-4, 2009 | 9 | 2009 |
| After Effects: Performing the Ends of Memory. An Introduction to Volume I C Wake Performance Paradigm 5 (1), 1-7, 2009 | 8 | 2009 |
| Performing Witness Testimonial Theatre in the Age of Asylum, Australia 2000–2005 C Wake University of New South Wales, 2010 | 7 | 2010 |
Ulrike GardeDirector, Language Centre, Bauhaus-Universität Weimar; Honorary Ass. Professor, Macquarie University在 mq.edu.au 的电子邮件经过验证
