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| Skin flicks: haptic ideology in the peplum film RA Rushing Cinema Journal 56 (1), 88-110, 2016 | 12 | 2016 |
| Sirens without Us: The Future after Humanity RA Rushing California Italian Studies 2 (1), 2011 | 12 | 2011 |
| What We Desire, We Shall Never Have: Calvino, Žižek, and Ovid R Rushing Comparative Literature, 44-58, 2006 | 9 | 2006 |
| IL CRISTALLO E IL MARE: L'ENUMERACIÓN CAÓTICA E L'EPISTEMOLOGIA IN CALVINO E GADDA RA Rushing Forum Italicum 31 (2), 407-422, 1997 | 9 | 1997 |
| From Monk to Monks: The End of Enjoyment in Umberto Eco's the Name of the Rose RA Rushing Symposium: A Quarterly Journal in Modern Literatures 59 (2), 116-128, 2005 | 8 | 2005 |
| “It Will Shock You How Much This Never Happened”. Antonioni and Mad Men RA Rushing Mad Men, Mad World, 192-210, 2013 | 7 | 2013 |
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| The Weight of History: Immunity and the Nation in Italian Science-Fiction Cinema R Rushing Science Fiction Studies 42 (2), 339-352, 2015 | 4 | 2015 |
| De Sica's The Children Are Watching Us: Neorealist Cinema and Sexual Difference R Rushing Studies in European Cinema 6 (2-3), 97-112, 2009 | 4 | 2009 |
| The Horizon of Literature: Epistemic Closure in Calvino's I NOSTRI ANTENATI RA Rushing Forum Italicum 33 (1), 213-223, 1999 | 4 | 1999 |
| Writing Without End: Epistemology in Italo Calvino and Carlo Emilio Gadda RA Rushing University of California, Berkeley, 1998 | 4 | 1998 |
| Italian transnational masculinity: Jeeg Robot, Il ragazzo invisibile and MilzaMan RA Rushing Journal of Italian Cinema & Media Studies 8 (1), 43-60, 2020 | 3 | 2020 |
| Blink: The Material Real in Cache, Mulholland Dr. and Doctor Who RA Rushing Post Script-Essays in Film and the Humanities 30 (1), 21-34, 2010 | 3 | 2010 |
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