| What is this thing called jazz?: African American musicians as artists, critics, and activists E Porter Univ of California Press, 2002 | 608 | 2002 |
| The problem of the future world: WEB Du Bois and the race concept at midcentury E Porter Duke University Press, 2010 | 75 | 2010 |
| " Dizzy Atmosphere": The Challenge of Bebop E Porter American Music, 422-446, 1999 | 50 | 1999 |
| New Orleans suite: Music and culture in transition L Watts, E Porter Univ of California Press, 2013 | 32 | 2013 |
| Incorporation and distinction in jazz history and jazz historiography E Porter Jazz/not jazz: The music and its boundaries, 13-30, 2012 | 31 | 2012 |
| Affirming and disaffirming actions: Remaking race in the 1970s E Porter America in the Seventies, 50-74, 2004 | 30 | 2004 |
| Jazz and revival E Porter American Quarterly 61 (3), 593-613, 2009 | 27 | 2009 |
| Playing for keeps: Improvisation in the aftermath D Fischlin, E Porter Duke University Press, 2020 | 19 | 2020 |
| Jeanne Lee's Voice E Porter Critical Studies in Improvisation/Études critiques en improvisation 2 (1), 1-14, 2006 | 19 | 2006 |
| ‘Born Out of Jazz… Yet Embracing All Music’: Race, Gender, and Technology in George Russell’s Lydian Chromatic Concept E Porter, S Tucker, N Rustin Big Ears: Listening for Gender in Jazz Studies, 210-34, 2008 | 17 | 2008 |
| Jazz E Porter The Journal of American History 97 (4), 1143-1144, 2011 | 11 | 2011 |
| " Out of the blue": Black creative musicians and the challenge of jazz, 1940-1995 EC Porter University of Michigan, 1997 | 9 | 1997 |
| Improvisation and global sites of difference: Ten parables verging on a theory D Fischlin, E Porter Critical Studies in Improvisation/Études critiques en improvisation 11 (1-2), 2016 | 6 | 2016 |
| Rethinking Jazz Through the 1970s E Porter Routledge 4 (1), 1-5, 2010 | 5 | 2010 |
| Imagining Africa, remaking the world: WEB Du Bois' history for the future E Porter Rethinking History 13 (4), 479-498, 2009 | 5 | 2009 |
| Black No More"?: Walter White, Hydroquinone, and the" Negro Problem E Porter American Studies 47 (1), 5-30, 2006 | 5 | 2006 |
| The Majesty of the Blues: Wynton Marsalis’s Jazz Canon E Porter What Is This Thing Called Jazz?: African American Musicians as Artists …, 2002 | 5 | 2002 |
| A People's History of SFO: The Making of the Bay Area and an Airport E Porter Univ of California Press, 2023 | 3 | 2023 |
| Sound Changes: Improvisation and Transcultural Difference D Fischlin, E Porter University of Michigan Press, 2021 | 2 | 2021 |
| Tassions of a Man': The Poetics and Politics of Charles Mingus E Porter What Is This Thing Called Jazz, 101-48, 2002 | 2 | 2002 |
