| Producing online youth fiction in a Nordic public service context MM Andersen, VS Sundet VIEW Journal of European Television History and Culture 8 (16), 110-125, 2019 | 41 | 2019 |
| Kreativitet MMT Andersen Medie-og Kommunikationsleksikon, 2020 | 8 | 2020 |
| DR3 og det kreative pres MMT Andersen AU Library Scholarly Publishing Services, 2019 | 8 | 2019 |
| Gatekeeping within the simplicity regime: Evaluative practices in television idea development MMT Andersen Media, Culture & Society 42 (4), 571-587, 2020 | 7 | 2020 |
| DR3 på flow og streaming–en todelt kanalanalyse MMT Andersen MedieKultur: Journal of media and communication research 34 (65), 138-157, 2018 | 5 | 2018 |
| Streaming media production, interfaces, content and users MMT Andersen, M Lüders, SGS Krogager MedieKultur 37 (70), 1-11, 2021 | 4 | 2021 |
| Negotiating creativity on a small budget: creative assumptions in DR3’s TV commissioning MM Andersen Nordicom Review 39 (1), 19-32, 2018 | 4 | 2018 |
| Researching creativity in media industries MMT Andersen Rowman & Littlefield, 2022 | 2 | 2022 |
| Hannibal's tasty paradox MM Andersen 16: 9, 2016 | 1 | 2016 |
| Brilleaber i rampelyset MM Andersen 16: 9, 2013 | 1 | 2013 |
| Keeping It Real? Dynamics of Authenticity and Branding in RuPaul’s Drag Race MMT Andersen Cultures of Authenticity, 193-205, 2022 | | 2022 |
| DR3 og det kreative pres: PH. D.-afhandling MMT Andersen Aarhus Universitet, 2019 | | 2019 |
| Experiments with Death and Snapchat: Creativity in Danish public service television production MM Andersen RIPE@ 2016 Public Service Media in a Networked Society?, 2016 | | 2016 |
| De kvindefokuserede dramedieserier MM Andersen Akademisk kvarter 8, 2014 | | 2014 |
| Differences in autonomy: Case studies of podcast and video game production MMT Andersen | | |
