| Resisting Exile and Asserting Musical Voice: The Dixie Chicks are 'Not Ready to Make Nice' J Watson, L Burns Popular Music 29 (3), 325-350, 2010 | 32 | 2010 |
| Gender on the Billboard Hot Country Songs Chart, 1996–2016 J Watson Popular Music and Society 42 (5), 538-560, 2019 | 28 | 2019 |
| Spectacle and Intimacy in Live Concert Film: Lyrics, Music, Staging, and Film Mediation in P!nk’s Funhouse Tour (2009) L Burns, J Watson Music, Sound, and the Moving Image 7 (2), 103-141, 2013 | 27 | 2013 |
| Subjective Perspectives through Word, Image and Sound: Temporality, Narrative Agency and Embodiment in the Dixie Chicks' video "Top of the World" L Burns, J Watson Music, Sound, and the Moving Image 4 (1), 3-37, 2010 | 22 | 2010 |
| Programming Inequality: Gender Representation on Canadian Country Radio (2005-2019) J Watson International Society for Music Information Retrieval, 2020 | 11 | 2020 |
| Gender Representation on Country Format Radio: A Study of Published Reports from 2000-2018 J Watson SongData Reports, 2019 | 11 | 2019 |
| Redlining in Country Music: Representation in the Country Music Industry (2000-2020) J Watson SongData Reports, 2021 | 7 | 2021 |
| The Dixie Chicks' "Lubbock or Leave It": Negotiating Identity and Place in Country Song J Watson Journal of the Society for American Music 8 (1), 49-75, 2014 | 6 | 2014 |
| "This Is My Prairie": Corb Lund and the Albertan Fossil Fuel Energy Debate J Watson American Music 34 (1), 43-86, 2016 | 5 | 2016 |
| Country Music's" Hurtin'Albertan": Corb Lund and the Construction of" Geo-Cultural" Identity J Watson Université Laval, 2015 | 5 | 2015 |
| Inequality on Country Radio: 2019 in Review JE Watson | 4 | 2020 |
| Billboard's' Hot Country Songs' chart and the curation of country music culture. J Watson Popular Music History 13 (1-2), 168-90, 2020 | 4 | 2020 |
| Rural-Urban Imagery in Country Music Video: Identity, Space and Place J Watson Bloomsbury Handbook to Popular Music Video Analysis, 2019 | 4 | 2019 |
| Region and Identity in Dolly Parton’s Songwriting J Watson Cambridge Companion to the Singer-Songwriter, 120-30, 2016 | 4* | 2016 |
| Dust-blown Tractor Tunes: Representations of Environment in Butch Hancock’ s Songs About Farming in West Texas J Watson Canadian Folk Music/Musique folklorique canadienne 45 (2), 2011 | 4 | 2011 |
| Geography and Country Music: Constructing Geo-cultural Identities J Watson Collected Work: The Oxford Handbook of Country Music. Series: Oxford …, 2017 | 3 | 2017 |
| Aspects of the" Jewish" folk idiom in Dmitri Shostakovich's String Quartet No 4, Op 83 (1949) J Watson University of Ottawa (Canada), 2008 | 3 | 2008 |
| "If They Blow a Hole in The Backbone": Sarah Harmer's Campaign to Protect The Niagara Escarpment J Watson MUSICultures 44 (2), 81-108, 2017 | 2 | 2017 |
| Gender Representation on Canadian Country Format Radio: A Study of Published Reports from 2005-2018 J Watson SongData Reports, 2019 | 1 | 2019 |
| The Sound of Navajo Country: Music, Language, and Diné Belonging. By Kristina M. Jacobsen. Chapel Hill: University of North Carolina Press, 2017. J Watson Journal of the Society for American Music 13 (4), 531-535, 2019 | | 2019 |
