| The Reasonable Audience: Theatre Etiquette, Behaviour Policing, and the Live Performance Experience K Sedgman | 94* | 2018 |
| Locating the Audience: How People Found Value in National Theatre Wales K Sedgman Intellect, 2016 | 67 | 2016 |
| Audience Experience in an Anti-Expert Age: A Survey of Theatre Audience Research K Sedgman Theatre Research International 43 (3), 307-322, 2017 | 64 | 2017 |
| On Rigour in Theatre Audience Research K Sedgman Contemporary Theatre Review 29 (4), 462-479, 2019 | 37 | 2019 |
| Editors’ Introduction: Themed Section on Theatre Audiences M Reason, K Sedgman Participations 12 (1), 117-122, 2015 | 32* | 2015 |
| Challenges of Cultural Industry Knowledge Exchange in Live Performance Audience Research K Sedgman Cultural Trends 28 (2-3), 103-117, 2019 | 19 | 2019 |
| Ladies and Gentlemen Follow Me, Please Put on Your Beards: Risk, Rules, and Audience Reception in National Theatre Wales K Sedgman Contemporary Theatre Review 27 (2), 158-176, 2017 | 17 | 2017 |
| Documenting Audience Experience: Social Media as Lively Stratification J Bucknall, K Sedgman Documenting Performance: The Context and Processes of Digital Curation and …, 2017 | 12 | 2017 |
| Be Reasonable! On Institutions, Values, Voices K Sedgman Participations 12 (1), 123-132, 2015 | 12 | 2015 |
| When Theatre Meets Fandom: Audience Reviews of Harry Potter and the Cursed Child K Sedgman The Journal of Fandom Studies 6 (1), 81-99, 2018 | 8 | 2018 |
| Uncharted Territories in 'Empirical' Audience Research K Sedgman Performance Matters 5 (2), 169-172, 2019 | 7 | 2019 |
| The Reasonable Audience: Theatre Etiquette K Sedgman Behavior Policing, and the Live Performance Experience (Switzerland …, 2018 | 7 | 2018 |
| ‘What’s Bigger Than a Standing Ovation?’: Intimacy and Spectacle at the Tony Awards K Sedgman Studies in Musical Theatre 10 (1), 37-53, 2016 | 7 | 2016 |
| The Institutional Persona: When Theatres become Personas and the Case of Bristol Old Vic K Sedgman Persona Studies 5 (2), 98-110, 2019 | 5 | 2019 |
| Book Review: Coughing and Clapping: Investigating Audience Experience K Sedgman Cultural Trends 24 (4), 324-326, 2015 | 5 | 2015 |
| Fans and fandom in the performing arts K Sedgman Routledge Companion to Audiences and the Performing Arts, 190-202, 2022 | 3 | 2022 |
| No-Object Fandom: Smash-ing Kickstarter and Bringing Bombshell to the Stage K Sedgman iBroadway, 145-172, 2017 | 3 | 2017 |
| Our Obsession with Theatre Etiquette Is Rooted in the Past K Sedgman https://www.thestage.co.uk/features/2016/our-obsession-with-theatre …, 2016 | 3 | 2016 |
| Audience Experience in Rimini Protokoll’s Outdoors K Sedgman Studies in Theatre and Performance 36 (3), 15, 2016 | 3 | 2016 |
| On Being Unreasonable: Breaking the Rules and Making Things Better K Sedgman Faber & Faber, 2023 | 2 | 2023 |
