| An enactive approach to digital musical instrument design N Armstrong Princeton University, 2006 | 83 | 2006 |
| Adaptive Frequency Neural Networks for Dynamic Pulse and Metre Perception. AJ Lambert, T Weyde, N Armstrong ISMIR, 60-66, 2016 | 11 | 2016 |
| Perceiving and predicting expressive rhythm with recurrent neural networks A Lambert, T Weyde, N Armstrong Proceedings of the 12th International Conference in Sound and Music …, 2015 | 10 | 2015 |
| Studying the effect of metre perception on rhythm and melody modelling with LSTMs A Lambert, T Weyde, N Armstrong Proceedings of the AAAI Conference on Artificial Intelligence and …, 2014 | 9 | 2014 |
| Beyond the beat: Towards metre, rhythm and melody modelling with hybrid oscillator networks A Lambert, T Weyde, N Armstrong International Computer Music Association, 2014 | 7 | 2014 |
| Generating Time: Rhythmic Perception, Prediction and Production with Recurrent Neural Networks T Weyde, N Armstrong Journal of Creative Music Systems 1 (2), 2017 | 2 | 2017 |
| Listening as a material N Armstrong | 2 | 2015 |
| An enactive approach to digital musical instrument design, Princeton University N Armstrong | 2 | 2006 |
| ‘Bold Tendencies’: London Contemporary Music Festival, Peckham multi-storey car park, London, 25–28 July, 1–4 August 2013 N Armstrong Tempo 68 (267), 63-65, 2014 | 1 | 2014 |
| Fosc v0. 9.0 N Armstrong GitHub, 2023 | | 2023 |
| Notations and Score-making T Hall, N Armstrong, R Hoadley MIT Press, 2023 | | 2023 |
| The Book of the Sediments N Armstrong | | 2022 |
| Two Canons for Kathryn N Armstrong Huddersfield Contemporary Records, 2019 | | 2019 |
| The in-between of line and surface: A line alongside itself N Armstrong | | 2019 |
| A line alongside itself N Armstrong | | 2019 |
| thread—surface N Armstrong | | 2018 |
| Partial objects N Armstrong | | 2016 |
| The way to go out N Armstrong | | 2016 |
| Modes of forgetting N Armstrong | | 2015 |
| Nature pieces N Armstrong | | 2013 |
