| A Historical Approach to the Slasher Film. S Petridis Film International (16516826) 12 (1), 2014 | 62 | 2014 |
| Anatomy of the Slasher Film: A Theoretical Analysis S Petridis McFarland, 2019 | 25 | 2019 |
| Comparative Issues on Copyright Protection for Films in the US and Greece S Petridis Journal of Intellectual Property Rights (JIPR) 19 (4), 282-292, 2023 | 11 | 2023 |
| Postmodern Cinema and Copyright Law: The Legal Difference Between Parody and Pastiche S Petridis Quarterly Review of Film and Video 32 (8), 728-736, 2015 | 4 | 2015 |
| The Scream of a Generation: "Generation Me" in Scream 4 S Petridis The Millennials on Film and Television: Essays on the Politics of Popular …, 2014 | 4 | 2014 |
| Netflix Original TV Series, or How Long-Form Films are Distributed as Serials S Petridis Academia Letters 2, 2021 | 3 | 2021 |
| TV miniseries or long-form film? A narrative analysis of The Haunting of Hill House S Petridis Journal of Screenwriting 11 (2), 207-220, 2020 | 3 | 2020 |
| Film And Television Promotion: Viral Marketing, Brand Management, And The Case Of Transmedia Fandom S Petridis International Journal of Arts Humanities and Social Sciences Studies 4, 1-4, 2019 | 2 | 2019 |
| Τηλεπτικό σενάριο: Δομές και τεχνικές μακράς οπτικοακουστικής αφήγησης (Television Screenplay: Structures and Techniques of Writing Long Audiovisual Narrative) Σ Πετρίδης Athens: Writers Guild of Greece, 2018 | 2* | 2018 |
| The Horror of the Geek: The Geek Archetype in Slasher Film S Petridis Age of the Geek: Depictions of Nerds and Geeks in Popular Media, 269-284, 2018 | 2 | 2018 |
| The Netflix Vision of Horror: A Narrative Structural Analysis of Original Series S Petridis McFarland, 2021 | 1 | 2021 |
| A Case for Joint Brand Management in Film and Television Promotion S Petridis Ex-centric Narratives: Journal of Anglophone Literature, Culture and Media …, 2020 | 1 | 2020 |
| Star Wars Episode VII: Feminism from “Far, Far Away” S Petridis | 1 | 2016 |
| The Binge-Watch Experience and the Three-Act Structure S Petridis Television by Stream: Essays on Marketing, Content and Audience Worldwide, 160, 2023 | | 2023 |
| When Mockumentary Meets Slasher Film: Comedic First-Person Narrative in Behind the Mask: The Rise of Leslie Vernon S Petridis PopMeC, 2023 | | 2023 |
| Television by Stream: Essays on Marketing, Content and Audience Worldwide S Petridis, C Adamou McFarland, 2023 | | 2023 |
| The Films of Antoinetta Angelidi P Bouska, S Petridis Edinburgh University Press, 2022 | | 2022 |
| Happy Death Day: Beyond the Neoslasher Cycle S Petridis Blumhouse Productions: The New House of Horror, 171, 2022 | | 2022 |
| Final Survivors and slasher films: The Final Women in Halloween H20 and Scream 4 S Petridis PopMeC, 2020 | | 2020 |
| Subtitle Translation: A Moral Dilemma of Maintaining the Integrity of a Work or a Copyright Infringement? S Petridis Filmicon: Journal of Greek Film Studies, 2019 | | 2019 |
