(Re)Educating the Senses: Multimodal Listening, Bodily Learning, and the Composition of Sonic Experiences S Ceraso College English 77 (2), 2014 | 127 | 2014 |
Sounding composition: Multimodal pedagogies for embodied listening S Ceraso University of Pittsburgh Press, 2018 | 98 | 2018 |
The digital: Rhetoric behind and beyond the screen C Boyle, JJ Brown Jr, S Ceraso Rhetoric Society Quarterly 48 (3), 251-259, 2018 | 65 | 2018 |
“Making It” in the Academy through Horizontal Mentoring P VanHaitsma, S Ceraso Peitho, 210, 2017 | 35 | 2017 |
Composing with sound S Ceraso, KF Ahern Composition Studies 43 (2), 13-18, 2015 | 19 | 2015 |
The Destabilization of Masculinity in" A House for Mr. Biswas" and" The Mimic Men" S Ceraso, P Connolly Mosaic: A journal for the interdisciplinary study of literature, 109-126, 2009 | 14 | 2009 |
Sounding composition: Multimodal pedagogies for embodied listening. Pittsburgh S Ceraso PA: University of Pittsburgh Press, 2018 | 10 | 2018 |
Swinging Through Spheres: Jazz, Gender, and Mobility. S Ceraso Nebula 3 (2-3), 46-54, 2006 | 7 | 2006 |
Sonic rhetorics: A mashed-up introduction in sound S Ceraso, J Stone Spec. issue, Harlot 9, 2013 | 6* | 2013 |
Digital Lyrical G Sirc, S Ceraso Currents in Electronic Literacy, 2011 | 3 | 2011 |
Survivors' Tales: Cultural Trauma, Postmemory, and the Role of the Reader in Art Spiegelman’s Visual Narratives S Ceraso EnterText 6 (3), 204-228, 2007 | 3 | 2007 |
Sonic Scenes of Writing S Ceraso College English 84 (4), 311-334, 2022 | 2 | 2022 |
Sound Never Tasted So Good: "Teaching" Sensory Rhetorics S Ceraso Intermezzo http://intermezzo.enculturation.net/11-ceraso.htm, 2019 | 2 | 2019 |
Sound Practices for Digital Humanities S Ceraso Digital Sound Studies, 2018 | 2 | 2018 |
The Sight of Sound: Mapping Audio, 2010.« S Ceraso | 2 | |
Ticking Clocks: Rhetorics of Tenure and (In) Fertility S Ceraso, P VanHaitsma Rhetoric Society Quarterly 53 (5), 685-699, 2023 | 1 | 2023 |
Sonic Rhetorics: A Mashed-Up Introduction in Sound J Stone, S Ceraso Harlot: A Revealing Look at the Arts of Persuasion 9 (9), 1, 2013 | 1 | 2013 |
Foreword (and Backward) S Ceraso SOUNDWRITING PEDAGOGIES, 0 | | |