| The medium is the message: Composing instruments and performing mappings T Murray-Browne, D Mainstone, N Bryan-Kinns, MD Plumbley Proceedings of the International Conference on New Interfaces for Musical …, 2011 | 53 | 2011 |
| Global Expectation-Violation as Fitness Function in Evolutionary Composition T Murray Browne, C Fox Applications of Evolutionary Computing, 538-546, 2009 | 22* | 2009 |
| Interactive music: Balancing creative freedom with musical development. T Murray-Browne Queen Mary University of London, 2012 | 17 | 2012 |
| The Serendiptichord: Reflections on the Collaborative Design Process between Artist and Researcher T Murray-Browne, D Mainstone, N Bryan-Kinns, MD Plumbley Leonardo 46 (1), 86-87, 2013 | 9 | 2013 |
| The Cave Of Sounds: An Interactive Installation Exploring How We Create Music Together T Murray-Browne, D Aversano, S Garcia, W Hobbes, D Lopez, T Sendon, ... | 9* | |
| Emergent interfaces: Vague, complex, bespoke and embodied interaction between humans and computers T Murray-Browne, P Tigas Applied Sciences 11 (18), 8531, 2021 | 8 | 2021 |
| The Serendiptichord: A wearable instrument for contemporary dance performance T Murray-Browne, D Mainstone, N Bryan-Kinns, MD Plumbley Audio Engineering Society 128th Convention, London: UK, 1-8, 2010 | 8 | 2010 |
| Harmonic motion: A toolkit for processing gestural data for interactive sound T Murray-Browne, MD Plumbley Proceedings of the International Conference on New Interfaces for Musical …, 2014 | 6 | 2014 |
| Against Interaction Design T Murray-Browne arXiv preprint arXiv:2210.06467, 2022 | 1 | 2022 |
| Serendiptichord D Mainstone, T Murray-Browne Interactions-New York 18 (5), 8, 2011 | 1 | 2011 |
| Comparison of pupillometry data from a virtual reality headset and an Eyelink 1000 eye tracker T Green, L Picinali, T Murray-Browne, I Engel, C Henry Universitätsbibliothek der RWTH Aachen, 2023 | | 2023 |
| Demo hour A Otten, D Schulze, M Sorensen, D Mainstone, T Murray-Browne interactions 18 (5), 8-9, 2011 | | 2011 |
