Made in Germany O Seibt, M Ringsmut, DE Wickström Studies in Popular Music, 2020 | 12 | 2020 |
Maro Drom: Music and Mnemonic Imagination in the Commemoration of German Sinti Victims during WWII M Ringsmut Music and Politics 15 (2), 2021 | 4 | 2021 |
Musical Cyborgs as Social Beings: Reflections on Popular Music Production and Translations of the Social in Two Recording Environments in Cologne M Ringsmut Darüber Hinaus…: Populäre Musik Und Überschreitung (En), 149-161, 2018 | 2 | 2018 |
Musik und Zeug* innenschaft–Erinnern an die Opfer des Nationalsozialismus in der „Post-Witness Era “ ME Schoop, TS Köhn, M Ringsmut Musik, Erinnern und kulturelles Gedächtnis Music, Remembering and Cultural …, 2023 | 1 | 2023 |
Ein musikalisches Denkmal gegen das Vergessen: Musikwissenschaftliche Erinnerungsforschung am Beispiel von Roger Moreno Rathgebs Requiem für Auschwitz M Ringsmut, ME Schoop Die Musikforschung 75 (4), 384-409, 2022 | | 2022 |
A musical Memorial against Forgetting: Musicological Research into Memory by using the example of Roger Moreno Rathgeb's Requiem for Auschwitz M Ringsmut, ME Schoop MUSIKFORSCHUNG 75 (4), 384-409, 2022 | | 2022 |
Persecution and Resistance Resounded: Trajectories of WWII Musical Memorializations in Germany M Ringsmut, S König Music and Politics 15 (2), 2021 | | 2021 |
Studies in Popular Music O Seibt, M Ringsmut, DE Wickström | | 2021 |
Introduction: DEUTSCHLAND!–Echt jetzt?: German Popular Music’s Complicated Relationship with German Identity O Seibt, M Ringsmut, DE Wickström Made in Germany, 1-15, 2020 | | 2020 |
The Germaican Connection: German Reggae Abroad M Ringsmut Made in Germany, 197-206, 2020 | | 2020 |
“Our Way”: Musical commemorations of the persecution of German Sinti during WWII M Ringsmut | | |