| Control, curation and musical experience in streaming music services JW Morris, D Powers Creative Industries Journal 8 (2), 106-122, 2015 | 258 | 2015 |
| Blowing up the brand: Critical perspectives on promotional culture M Aronczyk, D Powers Peter Lang, 2010 | 120 | 2010 |
| Selling out: Musicians, autonomy, and compromise in the digital age B Klein, LM Meier, D Powers Popular Music and Society 40 (2), 222-238, 2017 | 117 | 2017 |
| Branded fitness: Exercise and promotional culture D Powers, DM Greenwell Journal of consumer culture 17 (3), 523-541, 2017 | 85 | 2017 |
| Blowing up the brand M Aronczyk, D Powers Blowing up the brand: Critical perspectives on promotional culture, 1-26, 2010 | 70 | 2010 |
| On trend: The business of forecasting the future D Powers University of Illinois Press, 2019 | 60 | 2019 |
| Writing the Record: The Village Voice and the Birth of Rock Criticism D Powers University of Massachusetts Press, 2013 | 56 | 2013 |
| Intermediaries and intermediation D Powers The Sage handbook of popular music, 120-134, 2015 | 45 | 2015 |
| Strange powers: The branded sensorium and the intrigue of musical sound D Powers na, 2010 | 42 | 2010 |
| Notes on hype D Powers International Journal of Communication 6, 17, 2012 | 34 | 2012 |
| Towards a futurist cultural studies D Powers International Journal of Cultural Studies 23 (4), 451-457, 2020 | 31 | 2020 |
| Bruce Springsteen, rock criticism, and the music business: Towards a theory and history of hype D Powers Popular Music and Society 34 (02), 203-219, 2011 | 28 | 2011 |
| First! Cultural circulation in the age of recursivity D Powers New Media & Society 19 (2), 165-180, 2017 | 25 | 2017 |
| Thinking in trends: the rise of trend forecasting in the United States D Powers Journal of historical research in marketing 10 (1), 2-20, 2018 | 19 | 2018 |
| Lost in the shuffle: Technology, history, and the idea of musical randomness D Powers Critical studies in media communication 31 (3), 244-264, 2014 | 19 | 2014 |
| Rock Criticism's Public Intellectuals D Powers Popular Music and Society 33 (4), 533-548, 2010 | 18 | 2010 |
| “BYE BYE ROCK” On the possibility of an ethics of rock criticism D Powers Journalism Studies 10 (3), 322-336, 2009 | 18 | 2009 |
| Long-haired, freaky people need to apply: Rock music, cultural intermediation, and the rise of the ‘company freak’ D Powers Journal of consumer culture 12 (1), 3-18, 2012 | 17 | 2012 |
| Writing the Record P Devon University of Massachusetts Press, 2013 | 15 | 2013 |
| Control, curation and musical experience in streaming music services. Creative Industries Journal, 8 (2), 106–122 JW Morris, D Powers | 12 | 2015 |
Melissa AronczykProfessor, School of Communication and Information, Rutgers University在 rutgers.edu 的电子邮件经过验证
Melissa AronczykProfessor, School of Communication and Information, Rutgers University在 rutgers.edu 的电子邮件经过验证
Bethany KleinUniversity of Leeds在 leeds.ac.uk 的电子邮件经过验证