| Criticism as an approach to interface aesthetics OW Bertelsen, S Pold Proceedings of the third Nordic conference on Human-computer interaction, 23-32, 2004 | 160 | 2004 |
| The metainterface: The art of platforms, cities, and clouds CU Andersen, SB Pold MIT Press, 2023 | 96* | 2023 |
| Interface criticism: Aesthetics beyond the buttons CU Andersen, SB Pold Aarhus Universitetsforlag, 2011 | 90 | 2011 |
| Interface realisms: the interface as aesthetic form S Pold Postmodern Culture 15 (2), 2005 | 76 | 2005 |
| Instrumentness for creativity mediation, materiality & metonymy OW Bertelsen, M Breinbjerg, S Pold Proceedings of the 6th ACM SIGCHI Conference on Creativity & Cognition, 233-242, 2007 | 34 | 2007 |
| Electronic literature translation: Translation as process, experience and mediation M Portela, M Mencía, S Pold electronic book review, 2018 | 31 | 2018 |
| Button S Pold | 31 | 2008 |
| Emerging materiality: reflections on creative use of software in electronic music composition OW Bertelsen, M Breinbjerg, S Pold Leonardo 42 (3), 197-202, 2009 | 30 | 2009 |
| Post-digital books and disruptive literary machines CU Andersen, SB Pold Formules 18, 164-183, 2014 | 27 | 2014 |
| The scripted spaces of urban ubiquitous computing: The experience, poetics, and politics of public scripted space S Pold, CU Andersen The Fibreculture Journal 2011 (19), 110-125, 2011 | 25* | 2011 |
| An aesthetic criticism of the media: the configurations of art, media and politics in Walter Benjamin's materialistic aesthetics S Pold Parallax 5 (3), 22-35, 1999 | 21 | 1999 |
| Interface criticism CU Andersen, S Pold Aesthetics beyond buttons, Aarhus, 2011 | 20 | 2011 |
| Manifesto for a post-digital interface criticism CU Andersen, S Pold The New Everyday: A Media Commons Project, 2014 | 18 | 2014 |
| Controlled consumption culture: When digital culture becomes software business SB Pold, CU Andersen The imaginary app, 17-33, 2014 | 16 | 2014 |
| Panoramic Realism: AN EARLY AND ILLUSTRATIVE PASSAGE FROM URBAN SPACE TO MEDIA SPACE IN HONORÉ DE BALZAC'S PARISIAN NOVELS," FERRAGUS" AND" LE PÈRE GORIOT" S Pold Nineteenth-Century French Studies, 47-63, 2000 | 16 | 2000 |
| Ex Libris-Medierealistisk litteratur: Paris, Los Angeles & cyberspace S Pold Syddansk universitetsforlag, 2004 | 15 | 2004 |
| Aesthetics of the Banal—‘New Aesthetics’ in an Era of Diverted Digital Revolutions CU Andersen, SB Pold Postdigital Aesthetics: Art, Computation and Design, 271-288, 2015 | 14 | 2015 |
| Ink: designing for performative literary interactions J Fritsch, SB Pold, LS Vestergaard, M Lucas Personal and Ubiquitous Computing 18, 1551-1565, 2014 | 14 | 2014 |
| Aesthetic approaches to human-computer interaction O Bertelsen, MG Petersen, S Pold DAIMI Report Series 33 (572), 2004 | 14 | 2004 |
| The critical interface S Pold Proceedings of the 4th decennial conference on Critical computing: between …, 2005 | 13 | 2005 |
Olav W. BertelsenAssociate Professor of Computer Science,Aarhus University在 cs.au.dk 的电子邮件经过验证
