| Eveline, Elsie, and the politics of paralysis: Echoes of Dubliners in Zoë Wicomb’s “Nothing Like the Wind” M Fossati The Journal of Commonwealth Literature 58 (1), 183-196, 2023 | 2 | 2023 |
| Journalism and the Black Short Story in English in Twentieth-Century South Africa: From RRR Dhlomo to Miriam Tlali M Fossati Cadernos de Literatura Comparada, 255-273, 2021 | 2 | 2021 |
| Literariness and genre mobility: journalistic features in the short stories by Herbert Dhlomo M Fossati Thinking Out of the Box in Literary and Cultural Studies, 281-298, 2021 | 2 | 2021 |
| Detective Stories During Apartheid: HIE Dhlomo as a Precursor of Drum M Fossati IL TOLOMEO 23, 69-84, 2021 | 1 | 2021 |
| The South African Short Story in English, 1920-2010: When Aesthetics Meets Ethics M Fossati Oxford University Press, 2024 | | 2024 |
| ‘Multiple belongings’ in Zoë Wicomb’s ‘My Name Is HannaH’(2005) M Fossati Short Fiction in Theory & Practice 13 (2), 181-197, 2023 | | 2023 |
| Transforming Romeo and Juliet in a Juvenile Detention Centre in Italy: A decolonising approach to Prison Shakespeare M Fossati Shakespeare in Southern Africa 36 (1), 33-45, 2023 | | 2023 |
| South Africa, Scotland, and Displacement. Crisis in Zoë Wicomb’s The One That Got Away M Fossati Faces of Crisis in 20th-and 21st-Century Prose: An Anthology of Criticism …, 2021 | | 2021 |
| Minor Characters and the Short Story Cycle: The Emergence of Liminal Identities in Zoë Wicomb’s You Can’t Get Lost in Cape Town M Fossati Journal of the Short Story in English. Les Cahiers de la nouvelle, 227-241, 2020 | | 2020 |
