| Exploiting the potential of peer feedback: The combined use of face-to-face feedback and e-feedback in doctoral writing groups F Liu, J Du, DQ Zhou, B Huang Assessing Writing 47, 100482, 2021 | 46 | 2021 |
| Writing system modulates the association between sensitivity to acoustic cues in music and reading ability: evidence from Chinese–English bilingual children J Zhang, Y Meng, C Wu, DQ Zhou Frontiers in Psychology 8, 1965, 2017 | 20 | 2017 |
| A three-dimensional model for evaluating individual differences in tempo and tempo variation in musical performance DQ Zhou, D Fabian Musicae Scientiae 25 (2), 252-267, 2021 | 9 | 2021 |
| A Taxonomical Framework for Evaluating Piano Performances: Tempo Styles Beyond Fast and Slow D Zhou Cambridge Scholars Publishing, 2022 | 3 | 2022 |
| Velocity and virtuosity: An empirical investigation of basic tempo in contemporary performances of two large-scale works of Chopin and Liszt D Zhou, D Fabian Empirical Musicology Review 16 (2), 176-204, 2021 | 3 | 2021 |
| Frédéric Chopin, Ballades; Berceuse; Mazurkas-Yundi Li pf-Deutsche Grammophon 4812443, 2016 (1 CD: 55 minutes) D Zhou Nineteenth-Century Music Review 17 (1), 152-154, 2020 | 3 | 2020 |
| Evaluating individual differences in musical performance style: an empirical study of tempo and timing variation in contemporary recorded performances of the solo piano music … QD Zhou UNSW Sydney, 2018 | 3 | 2018 |
| China's First Recital and Recording Pianist Ding Shande: A Critical Examination of His Performing Career and Performance Style D Zhou Twentieth-Century Music 20 (2), 187-214, 2023 | 1 | 2023 |
| Analysing Stylistic Differences between Orchestras: an Empirical Study of the ‘Viennese Rhythm’ in the Vienna Philharmonic's Recordings of The Blue Danube D Zhou, J Yang Music Analysis 43 (2), 302-327, 2024 | | 2024 |
| 忠于历史 偏离乐谱——19 世纪的表演风格探究 周全 人民音乐, 2021 | | 2021 |
| 反思表演研究的视角与方法——录音分析研究的过去, 现在及未来 周全 音乐研究, 2020 | | 2020 |
| 音乐合奏的合作表演研究 周全， 胡育蓉 中央音乐学院学报, 105-114, 2019 | | 2019 |
| 如何诠释与演奏巴赫器乐作品中的装饰音 周全， 高拂晓 中央音乐学院学报, 71-86, 2018 | | 2018 |
| 20, 21 世纪中巴洛克音乐的表演风格-以 JS 巴赫的录音为依据 周全， 胡育蓉 中央音乐学院学报, 103-112, 2017 | | 2017 |
| 音乐表演的结构研究——以肖邦《~ bG 大调练习曲》(Op. 10 No. 5) 为例 周全， 杨倩茹 中央音乐学院学报, 51-65, 2017 | | 2017 |
Dorottya FabianProfessor of Music, UNSW Australia在 unsw.edu.au 的电子邮件经过验证
Dorottya FabianProfessor of Music, UNSW Australia在 unsw.edu.au 的电子邮件经过验证