| A Comparative Study of the Crisis of Consciousness in Selected Plays of Zulu Sofola and Ahmed Yerima OW Ojoniyi Department of the Performing Arts, University of Ilorin, 2012 | 6 | 2012 |
| Education and the intentionality of a performing arts educator in Nigeria B Ojoniyi American Journal of Educational Research 3 (5), 631-36, 2015 | 5 | 2015 |
| EXPLORING DIALECTICAL TEXT CONSCIOUSNESS IN ACTING FOR QUALITY ASSURANCE OW Ojoniyi Nigerian Theatre Journal 13 (1), 166, 2013 | 4 | 2013 |
| Issues in Wole Soyinka’s Existential Self-Apprehension: Madmen, Destiny and Playwrights B Ojoniyi Penthouse Publications (Nig.) 1, 1-50, 2008 | 4 | 2008 |
| For the Love of Sisyphus... B Ojoniyi The Decalogue Publishers 1, 1-58, 2018 | 3 | 2018 |
| A Journey in the Dark Recesses of Intentionality of Hard Choices in Ododo’s Hard Choice B Ojoniyi A Gazelle of The Savannah: Sunday Ododo and the Framing of Techno-Cultural …, 2012 | 3 | 2012 |
| The infidel and the blood suckers B Ojoniyi The Decalogue Publishers 1, 1-46, 2010 | 3 | 2010 |
| A Dance of Beasts B Ojoniyi The Decalogue Publishers 1, 1-79, 2019 | 2 | 2019 |
| Forbidden sexuality in Kunle Afolayan’s October 1 contentious sexual space OW Ojoniyi IJPINT 5 (2), 68-73, 2018 | 2 | 2018 |
| A travel in the narrative turn of the consciousness of a diaspora ghost in The Hounding of David Oluwale OW Ojoniyi Crossings: Journal of Migration & Culture 8 (2), 205-213, 2017 | 2 | 2017 |
| Myth, Ideology and Intentionality in Nigerian Home Video: Implications for the Future of TDF B Ojoniyi Nigerian Theatre Journal: A Journal of the Society of Nigerian Theatre …, 2012 | 2* | 2012 |
| Violence as intentionality for survival and power in two Yoruba films O Wale Ojoniyi Journal of African Cinemas 7 (1), 31-39, 2015 | 1 | 2015 |
| The Existentiality of African Ritual Dramas and “the Myth of Essence” in a Contemporary Discourse B Ojoniyi African Notes: Journal of the Institute of African Studies 39 (1 & 2), 57-69, 2015 | 1 | 2015 |
| Is the ‘Post’ in a Post-Insurgency Discourse a Post-Cultural Memory Disruption in War/Insurgency Survivors’ Memory Performance? B Ojoniyi 3rd International Conference on Cultural Sustainability, Resettlement and …, 2023 | | 2023 |
| One Tree a Forest: Studies in Nigerian Theatre Poetics, Technology and Cultural Aesthetics OSOVOIE 'Bode Ojoniyi National Theatre, Nageria, 2023 | | 2023 |
| Self (Re)Narrativity, Oppositional Otherness and Self-Immolation in a Post-Self Consciousness Reading of For the Love of Sisyphus and A Dance of Beasts B Ojoniyi One Tree a Forest: Studies in Nigerian Theatre Poetics, Technology and …, 2023 | | 2023 |
| Back to Eden B Ojoniyi The Decalogue Publishers 1, 1-56, 2021 | | 2021 |
| I will marry him even if he is Poor: Deconstructing and Reconstructing the Yoruba Omoluabi Persona Essence in Olu Obafemi’s Naira Has No Gender B Ojoniyi, O Atoyebi, OO Okewusi Larger than his Frame II: Further critical studies and reflections on Olu …, 2021 | | 2021 |
| Ahmed Yerima’s Owiwi: Reengaging the Crisis of Metaphysical Abstractions in Nigeria Leadership Change and Political Struggles OW Ojoniyi Liwuram Journal of the Humanities 22 (1), 31-38, 2021 | | 2021 |
| Contentious discourse of “self” and “other”: Albert Camus’s Sisyphus versus Ahmed Yerima’s Musa in Heart of Stone B Ojoniyi One muse, many masks: Reflection on Ahmed Yerima’s recent drama 1, 237-249, 2021 | | 2021 |
Osakue S. OmoeraDepartment of Theatre and Film Studies, Federal University Otuoke, Bayelsa State, Nigeria在 fuotuoke.edu.ng 的电子邮件经过验证
