| Bodies of evidence, singing cyborgs and other gender issues in electrovocal music H Bosma Organised Sound 8 (1), 5-17, 2003 | 63 | 2003 |
| The electronic cry: Voice and gender in electroacoustic music H Bosma Universiteit van Amsterdam, 2013 | 29 | 2013 |
| Musical washing machines, composer-performers, and other blurring boundaries: How women make a difference in electroacoustic music H Bosma Intersections 26 (2), 97-117, 2006 | 22 | 2006 |
| Gender and technological failures in Glitch music H Bosma Contemporary Music Review 35 (1), 102-114, 2016 | 20 | 2016 |
| Male and Female voices in Computermusic HM Bosma Proceedings of the International Computer Music Conference 1995, 139-142, 1995 | 20 | 1995 |
| Canonisation and documentation of interdisciplinary electroacoustic music, exemplified by three cases from the Netherlands: Dick Raaijmakers, Michel Waisvisz and Huba de Graaff H Bosma Organised Sound 22 (2), 228-237, 2017 | 17 | 2017 |
| Who Makes Electronic Music?: Vocalists, Composers, Gender and Electronic Music Technology H Bosma Switch http://switch.sjsu.edu 4, 1998 | 16* | 1998 |
| Documentation and publication of electroacoustic compositions at NEAR H Bosma Proceedings of the Electroacoustic Music Studies Network International …, 2005 | 15 | 2005 |
| Thema (Omaggio a Joyce): A listening experience as homage to Cathy Berberian H Bosma Pamela Karantonis, Anne Sivuoja, Francesca Placanica, Pieter Verstraete (eds …, 2014 | 11 | 2014 |
| Madonna: De vele gezichten van een popster H Bosma, P Pisters Prometheus, Amsterdam, 1999 | 9 | 1999 |
| Unsettling Performances, Soundwalks and Loudspeakers: Gender in Electroacoustic Music and other Sounding Arts. H Bosma Marcel Cobussen, Vincent Meelberg, Barry Truax (eds.). The Routledge …, 2016 | 8 | 2016 |
| Who creates electro-vocal music?(authors, composers, vocalists and gender) H Bosma ctrl+shift art - ctrl+shift gender: Convergences of Gender, New Media and Art., 2000 | 6 | 2000 |
| Playing Loudspeakers, Unsettling Concerts. Gender and Performance in Interdisciplinary Electroacoustic Music H Bosma Proceedings of the Electroacoustic Music Studies Network Conference …, 2014 | 5 | 2014 |
| The Death of the Singer: Authorship and Female Voices in Electronic Music. eContact! http://cec.sonus.ca/econtact/ 1 (3), 1998 | 5* | 1998 |
| Computer Music as Born-Digital Heritage H Bosma International Computer Music Conference 2016 Proceedings, 270-274, 2016 | 3 | 2016 |
| Madonna’s voice H Bosma A Paper presented at Feminist Theory and Music 5 conference, London. http …, 1999 | 3 | 1999 |
| Gender and Electroacoustics. eContact! http://cec.sonus.ca/econtact/ 1 (1), 1998 | 3* | 1998 |
| Écriture féminine in electrovocal music H Bosma Proc. of the Feminist Theory and Music 4 Conf, 1997 | 3 | 1997 |
| Born digital cultural heritage is endangered heritage G Wijers, H Bosma http://www.den.nl/art/uploads/files/Born_Digital_Heritage_summary_ENG_web.pdf, 2016 | 2 | 2016 |
| A TIME-WARPED ASSEMBLAGE AS A MUSICAL INSTRUMENT WT Studio, H Bosma Modular Synthesis: Patching Machines and People, 106, 2024 | | 2024 |
