| Depicting Absence: Thematic and Stylistic Paradoxes of Representation in Visual and Literary Imagery A Irimia The Rhetoric of Topics and Forms 4, 533-545, 2021 | 5 | 2021 |
| Figural Voids: Empty Signifiers and Other Figures of Absence A Irimia Working through the Figure: Theory, Practice, Method, ISBN: 978-606-16-0938-3, 2017 | 4 | 2017 |
| Repetition and Intermediality in Marguerite Duras’s The Atlantic Man: Practicing Dibutade’s Craft in the XXth Century A Irimia MuseMedusa - Revue de Littérature et d'Art Modernes ISSN 2369-3045 6 …, 2018 | 2 | 2018 |
| Running on Empty: Blanks and Voids in Academic Publishing A Irimia KWI Blog, 2023 | 1 | 2023 |
| Bureaucratic Poetics: Brian O’Nolan and the Irish Civil Service J Foster, E Mills The Parish Review: Journal of Flann O'Brien Studies 6 (1), 2022 | 1 | 2022 |
| Museums of the Void: The Exhibition Space as Empty Signifier A Irimia Socializing Art Museums: Rethinking the Publics' Experience, 303-316, 2020 | 1* | 2020 |
| Narrative Embodiments: Anatomy, Physiology, and Pathology of Textual Corporeality in Nicola Barker’s H(A)PPY A Irimia Text/Körper: Ästhetiken und Praktiken literarischer (Un-)Sichtbarkeit, 23-54, 2024 | | 2024 |
| Figures of Radical Absence AE Irimia De Gruyter, 2023 | | 2023 |
| Figures of Radical Absence: Blanks and Voids in Theory, Literature, and the Arts A Irimia De Gruyter 24, 216, 2023 | | 2023 |
| Research as Montage: Notes on a Georges Didi-Huberman Exhibition A Irimia KWI Blog, 2023 | | 2023 |
| Disformations, or How Affects Disturb Forms A Irimia Discourse: Journal for Theoretical Studies in Media and Culture 44 (2), 272-277, 2023 | | 2023 |
| Bureaucratic Sorceries in The Third Policeman: Anthropological Perspectives on Magic and Officialdom A Irimia The Parish Review: Journal of Flann O'Brien Studies 6 (2), 1-21, 2022 | | 2022 |
| What Moves You? Georges Didi-Huberman's Arts of Passage and Pittsburgh Stories of Migration S Lien, J Carville Contact Zones: Photography, Migration, and Cultural Encounters in the United …, 2021 | | 2021 |
| Bureaucratic Fanatics: Modern Literature and the Passions of Rationalization by Benjamin Lewis Robinson A Irimia The Comparatist 45 (1), 389-391, 2021 | | 2021 |
| Book Review: Georges DIDI‑HUBERMAN, În fața imaginii: Întrebare despre finalitatea unei istorii a artei [Devant l’image : Question posée aux fins d’une histoire de l’art … A Irimia Euresis, https://euresisjournal.com/about/, 2021 | | 2021 |
| What Moves You? Georges Didi-Huberman’s Arts of Passage and Pittsburgh Stories of Migration A Irimia Contact Zones: Photography, Migration, and Cultural Encounters in the United …, 2021 | | 2021 |
| Matters of Time in László Krasznahorkai’s and Béla Tarr’s Satantango A Irimia Ekphrasis: Images, Cinema, Theory, Media ISSN 2559-2068 20 (2/2018: Cinema …, 2018 | | 2018 |
| Usages de la figure, régimes de figuration L Marin Editura Universitǎţii din Bucureşti, 2017 | | 2017 |
| Paper-Cut: Figural Theatricality and Archival Practices in Geoffrey Farmer’s Sculptural Photo-Collage A Irimia Usages de la figure, régimes de figuration, ISBN: 978-606-16-0931-4 1, 249-262, 2017 | | 2017 |
| Savoir și savoare – Exerciții de bibliofagie A Irimia Literatura și artele. Explorări comparatiste ISBN: 978-606-16-0878-2 1, 159-166, 2017 | | 2017 |
